This year’s Autumn Glory was better than ever and we had record numbers of visitors to prove it!

This classic Harewood event has always been popular but this year’s event was bigger and better including dry-stone walling demos, glass blowing, the West Garden transformed into an enchanted forest with giant toadstools, fairytale gateways and tipis as well as an all-new craft market with unique hand-made craft goodies on sale in our cosy (and massive!) 3-tipi tent on the North Front.

The West Garden tipis were full of delighted children taking part in seasonal fun, storytelling and activities… and the weather was perfect!

If you missed Autumn glory this year you missed a treat! Join us next October Half Term for entertainment and seasonal fun and to see the grounds and landscape showing their glorious autumn colours!

More details will be available on our website in the spring…

The BBC were here at Harewood this week filming for a new BBC series based on the 1936 novel ‘South Riding’ by Winifred Holtby.

Harewood House’s facade and Gallery will feature in the series as ‘Maythorpe Hall’.

The book is set in the fictional South Riding of Yorkshire, the real inspiration being the East Riding. The book won the James Tait Black Memorial Prize for 1936.

The novel was first adapted for the cinema in 1937 and was later adapted for television in a 1970s production starring Hermione Baddeley, Dorothy Tutin, Nigel Davenport and Judi Bowker. A radio version starring Sarah Lancashire and Philip Glenister has been made for BBC 7 and this latest adaptation by Andrew Davies, starring David Morrissey and Anna Maxwell Martin, is being produced by the BBC to be aired later this year or next…so keep your eyes peeled…!

Read more about the shoot and the series, inlcuding comments from the actors and Andrew Davis on Screen Yorkshire’s website…

Norman Ackroyd RA is used to wild, romantic landscapes as well as being out in all weathers armed with sketchbooks, watercolours, etching plates and acid… which is just as well as his visit to Harewood took place on an unseasonally cold day in June earlier this year!

House & Garden were keen to photograph Norman here at Harewood as part of their piece on prominent house painters (check out the October edition of House & Garden to read the article).

Norman was first invited to Harewood in 1997 to mark the bicentenary of Turner’s watercolours of Harewood House commissioned by the 1st Viscount Lascelles 200 years earlier, in 1797. As a master of his artform, Norman was the ideal choice, especially as he is, as Turner was before him, obsessed with geogrpahy and travelling.

Retracing his steps to the hillside where he came to sketch Harewood House overlooking its ‘Capability’ Brown landscape, wreathed in autumn mist Norman was enthusiastically greeted by our cows who have been enjoying the view in their summer pasture!

Norman Ackroyd selected several watercolours from the Harewood collection as part of our exhibition ‘Twenty-One‘ this year.

What Norman had to say about his involvement in the Terrace Gallery and this year’s exhibition at Harewood:

The foundation of the Royal Academy of Arts in London by George III in 1768 opened up an awareness and patronage of British artists that had not previously existed. We are all aware of the great surge of portraiture led by Reynolds, Gainsborough et al – but it also resulted in a golden age of watercolour landscape with Turner, Girtin, Cotman, Varley, Cox and many others.

It was a great privilege to be asked to visit Harewood on the 200th anniversary of Turner’s visit, in 1997 as a 22 year old, to produce my impressions of the house and grounds. I have therefore chosen three watercolours, from that golden age, as my contribution to this anniversary.

Image left: Harewood in Autumn, Norman Ackroyd

Find out more about Harewood collections, exhibitions and more on our website… www.harewood.org

A review by Antonia Pudney, work experience student at Harewood House this week…

A tale of love, betrayal and forgiveness performed by ‘Lord Chamberlains Men’ took centre stage on Harewood’s North Front. With minimalistic staging and few props the actors themselves were the ones that brought Shakespeare’s ‘Tempest’ to life.

An audience ranging from ages four to sixty four enjoyed an afternoon of open air theatre thanks to ‘Lord Chamberlains Men’- their interpretation of Shakespeare’s ‘Tempest’ was greeted with both applause and laughter by the audience. Periodic costumes and cleverly used props aided the actors in their performance but it was the actors themselves that made it a truly enjoyable experience.

The ability of the actors became very apparent whilst I was watching the play from the sidelines, seeing them exit the stage was like seeing a personality switch as they came out of their characters for the brief period of time they were backstage. The majority of the actors had to take on two roles as there are only several men in their company making the costumes a vital part of the play as they helped the audience differentiate between who was who at different points in the performance.

However, even without the costume changes it was clear that the actors had developed their characters meticulously so it was obvious when they had switched into their second character. The matinee performance was watched by both a primary and secondary school and even though some of the younger students couldn’t understand the complex language I believe they enjoyed themselves as the actors put both effort and emotion into their performance making it understandable even to young minds.

Overall the play was an enjoyable experience showcasing Shakespeare in a more intimate environment.

Find out more about upcoming events at Harewood House on our website www.harewood.org/whats-on