A big thank you to all of our visitors and members who supported us in 2017!

We are very much looking forward to 2018 and this year, we will be doing things a little bit differently, with a changing theme for every season.

In the Spring, we will be celebrating the 300th anniversary of Chippendale’s birth. Through a series of exhibitions, events and activities, Designer, Maker, Decorator offers a new way of looking at Chippendale’s work and a story unique to Harewood. Chippendale was born just 7 miles down the road from Harewood in the town of Otley and in 1767, he received the largest commission of his career, to furnish the newly built Harewood House. The season will also include a contemporary response to Chippendale from artist Geraldine Pilgrim, with both internal and external installations.

Throughout the Summer, we will be working in creative partnership with Lord Whitney, looking at life at Harewood at the end of the First World War. Seeds of Hope will explore the life and experiences of the local community and the people who lived and worked at Harewood during this period. Featuring crops, livestock and exhibits that will take visitors back in time, we will create a picture of the Walled Garden as it was in 1918.

Towards the end of the year, our thoughts will turn to artisans, designers and the contemporary with exhibitions, installations and events that celebrate craft.

Throughout the year, we will also have an exciting range of external events taking place, from our ever-popular annual Great British Food Festival and Rolls Royce Rally, to Classic Ibiza – a new, family friendly addition to our events programme.

Look out for more details and a full programme coming shortly. We look forward to welcoming our visitors and members for this exciting year ahead when we re-open on Friday 23rd March.

As series 2 of ITV’s blockbuster drama Victoria airs, Harewood House Trust announces increased visitors numbers following the successful Victorian Harewood exhibitions inspired by the production which used Harewood as a key location. The major exhibitions have seen historically accurate costumes from the programme displayed in the house alongside personal objects owned by Queen Victoria.

Jane Marriott, Director of Harewood House Trust said: “2017 has been a fantastic year for Harewood House Trust. As a charity, we have a responsibility to preserve and protect Harewood and its collections; filming is an important revenue stream which helps this work continue.

To capitalise on the Victoria production, we have shaped our season around Harewood’s Victorian history; costumes from Victoria have been on display including the famous coronation gown worn by Jenna Coleman who plays Victoria in the programme. Alongside the stunning costumes, personal items owned by Queen Victoria, Charlotte Canning, Queen Victoria’s lady-in-waiting, and Lady Louisa, 3^rd Countess of Harewood, have been displayed adding real authenticity to the exhibitions in the house.”

“The response has been incredibly positive and we have seen visitors to Harewood significantly increase compared to the same period last year.”

Harewood House has been transformed into Buckingham Palace for both series 1 and 2 of the programme. Many of the opulent rooms on the State Floor, the famous kitchens Below Stairs as well as exteriors of the house and parts of the Estate have been used in the production.

Jane Marriott said, “We are looking forward to series 2 and seeing Harewood on screen once again. We hope to see more visitors coming to Harewood before the Victoria costume exhibition and the Victorian Harewood displays close on 29^th October.”

Jane Marriott said, “Watch out for our announcement this autumn for our new Christmas season extending our celebration of all things Victorian.”

To coincide with English Tourism Week (25^th March – 2^nd April 2017), Harewood House in Yorkshire will launch an exciting series of exhibitions hoping to capitalise on the increasing demand from visitors to see film and TV locations.

Harewood House was used as a major set for ITV’s blockbuster series ‘Victoria’ and the exhibition, titled Victorian Harewood, will present an impressive collection of costumes from series one, including the iconic Coronation dress worn by actress Jenna Coleman who plays Queen Victoria. Visitors will also be able to see many of the rooms used in the series which transformed Harewood House into Buckingham Palace and Kensington Palace.

‘Victoria’ has been broadcast in over 100 countries around the world, and the impact on Harewood House’s visitor figures will become clear after Harewood opens on 24^th March 2017. With series two of ‘Victoria’ currently being filmed at Harewood House, David Lascelles, Earl of Harewood and fourth generation grandson of Queen Victoria, commented:

“There are always new stories to tell about Harewood and the success of ITV’s ‘Victoria’ gives us the chance to bring that era here to life – something we’ve never really done before. It’s great to be able to link a successful TV show with our own history in this way and I hope it will bring new audiences as well as giving something different for our faithful and much valued members.”

As part of Victorian Harewood, personal objects, letters and archive material from Harewood’s collection including Queen Victoria’s writing set, a pocket watch given to Victoria for her birthday from her mother and a rare book of etchings made by Victoria and Albert will be shown.

The exhibition also includes a fascinating, contemporary response by modern-day artists. The Empire Line presents contemporary photography by Gavin Fernandes, using fashion photography to look at narratives of race, culture, history and the Victorian Empire.

In addition, a selection of 21st century re-interpretations of the Victorian bust from artist Kathy Dalwood’s Secret Society series will be displayed in the China Room. Instead of sculpting in clay or stone the busts are made by direct casting from real things and found objects which are collaged together, moulded and cast in plaster.

For more information visit: www.harewood.org

Sebastiano del Piombo’s ‘Portrait of a Lady’ returns to Harewood House for the first time in over 40 years

About the Artist

The Venetian painter Sebastiano del  Piombo (1485 – 1547) probably trained under Giovanni Bellini and Giorgione. In 1511 he left Venice for Rome, where the High Renaissance was flourishing. His work was influenced initially by Raphael, but he later met and began collaborating with Michelangelo. That partnership is currently the subject of an exhibition at the National Gallery in London – Michelangelo and Sebastiano until 25 June.

About the Lady

The painting most probably represents an idealized Venetian woman. It is closely related to another work in the Museo del Arte de Cataluna, Barcelona, which differs in background details and setting. There are also two other versions closer to the Harewood original, representing St Lucy, with the eyes of the sitter reflected in the cup. The Harewood painting may represent St Lucy but there is no evidence of reflected eyes in the cup here.

It has recently been suggested that the sitter is Vittoria Colonna, a renowned writer and member of the wealthy and powerful Colonna family, shown as Artemesia, a goddess associated with death, being in mourning for her young  husband Ferrante d’Avalos, Marchese of Pescara.  He died from wounds sustained at the Battle of Pavia in 1525.  This battle was one of the most important in Italian history, as Charles V and the Spanish forces overwhelmed the French and captured Francis I, whose portrait attributed to Titian, can be seen in the Gallery at Harewood.

About the Collector

Sebastiano’s paintings were popular in Britain from the early 19^th century.  Portrait of a Lady was acquired by Henry George Charles Lascelles, 6th Earl of Harewood, an outstanding collector of Venetian Old Master paintings and drawings in the early 20th century.  His collection was formed predominantly between the years 1917 to 1927, when he was advised by Tancred Borenius, a Finnish art historian.  The Portrait of a Lady, formerly in the collection of the Earl of Elgin of Broomhall in Fife, was an early purchase and was in the possession of Lord Lascelles by 1917, when he had the work conserved. The painting was originally hung at the Lascelles London home, Chesterfield House and, following the sale of that house, was moved to Harewood in the 1930s. By the 1950s, it hung in the Rose Drawing Room

The painting goes on display for the first time in over forty years on 24 March 2017 and has recently been especially conserved.
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The National Gallery exhibition opens to the public on 15 March 2017.

The 6^th Earl of Harewood was born Henry, Viscount Lascelles in 1882. From an early age, the 6^th Earl developed a keen interest in fine art, and as a young man he travelled to Europe on the grand tour. This passion for the arts received a great boost in 1916, when his uncle, the eccentric 2^nd Marquis of Clanricarde, died leaving the 6^th Earl a considerable fortune of £2,500,000. This enabled the 6^th Earl to develop his passion for acquiring art, establishing his reputation as one of the most renowned collectors of his age.

Come to Harewood and enjoy the unique opportunity to discover Renaissance masters which haven’t been exhibited to the public for years!
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Drawing in charcoal with chalk highlight on blue paper: Samson slaying the Philistine, by Jocopo Robusti, Il Tintoretto, 16th century

Handwritten invoice from Thomas Agnew & Sons requesting payment for purchases made by Viscount Lascelles from August 1917 to June 1919