Science and technology are not topics typically associated with historic houses or their inhabitants. They are often well known for their fine furnishings and great works of art, but it is perhaps quite unusual, and unexpected, to think of them as thriving hubs of technological advancement.

New research undertaken at the University of Leeds has focused on the unique relationship between country houses and the history of innovation and experimentation. With inhabitants who could often afford to invest financially and socially in new and somewhat mysterious technologies, country houses became some of the earliest venues for the installation of electrical appliances.

They also exposed its householders (sometimes reluctantly) to the enormous social change and development that these innovations brought with them.

Harewood House Trust, in collaboration with Dr Michael Kay from the University of Leeds, has recently been awarded a grant of £5,000 from The Culture Capital Exchange to research and explore the little known story of electrification at Harewood House.

Initial research has established a basic timeline of electrification and has already revealed some fascinating stories: from the intriguing routine of Harewood’s Lamp Man to the curious practice of employing electricians to ‘stand by’ during dinner parties.

The first phase of the House’s electrification took place in 1901, commissioned by the 5th Earl of Harewood. Archival evidence shows that there was seemingly fierce competition between early electrical contractors to obtain the job, and the merits and weaknesses of utilising hydropower was carefully considered. The installation of electricity was continued in the early 1930s when the 6th Earl of Harewood and his wife, Princess Mary, moved into Harewood House.

The Princess Royal made a specific request for electric lighting in her new dressing room along with other modern conveniences, such as the installation of a lift and the purchase of a Hoover vacuum cleaner was made.

Harewood House Trust looks forward to working with Dr Michael Kay, the researcher who will be carrying out the research, and supporting the development of dramatic performances reflecting this fascinating aspect of Harewood’s history.