
Surface Area Dance Theatre’s collaboration with Harewood House, the custodian of Sir Jacob Epstein’s sculpture Adam (1938), culminated in the creation of an innovative dance-for-camera short film, filmed on location at Harewood House in August 2024.
Titled Anthos, the film draws its name from the Ancient Greek word ἄνθος, meaning “flower.” This title symbolises the flourishing of artistic collaboration and delves into themes of growth and transformation. More than just a name, it resonates with the film’s core themes, offering an intriguing connection for audiences to meditate.
The film’s scenography features movements that engage in dialogue with the sculpture of Adam, located in the Great Hall and within the serene Himalayan sensory garden. This tranquil and picturesque environment enhances the film’s visual language, inviting audiences to explore the interplay between nature and art.
Anthos is showcased in the State Room at Harewood House from January to March 2025.
his film features the exceptional talent of D/deaf dance artist Christopher Fonseca, whose unique and immersive choreography captivates audiences.



This film features the exceptional talent of D/deaf dance artist Christopher Fonseca, whose unique and immersive choreography captivates audiences. His movement language, defined by fluidity, precision, and emotional depth, engages in a captivating dialogue with the sensuality depicted in ‘Adam.’
This dynamic interaction breathes life into the sculpture, resulting in a visually stunning and emotionally resonant experience that forges a powerful connection with the film’s viewers.
Adam, a monumental figure towering at an impressive seven feet four inches, has been a revered part of Harewood House’s illustrious history since 1976. This masterpiece, hewn from a single piece of Derbyshire Alabaster, is not just a sculpture but a living testament to Harewood’s history.
It symbolises the evolution of art and culture over the centuries, bridging the gap between its origins and the present. This historical and cultural significance invites the film’s audience to be a part of this rich history and fosters a deep reverence and appreciation for the artwork.
In Adam, we perceive a sensuality that pervades valuable discourse surrounding identity, belonging, humanity, and the meaning of life, which are central to Epstein’s work and our film.
Our unique perspective as movement specialists not only promotes an awakened discourse but also sheds light on Epstein’s seemingly uncelebrated contribution to the arrival of Modernism and “for bringing direct carving to Britain”. This unique perspective will surely enlighten and engage our audience.¹.
Surface Area Dance Theatre’s steadfast dedication to accessibility and inclusion forms the foundation of Anthos. We are committed to ensuring the availability of Anthos in formats accessible to all, particularly to our D/deaf and disabled audiences.
This commitment reflects our deep belief in the significance and value of every audience member, ensuring that each person feels genuinely included in Anthos’ journey.
Anthos was made possible by grant awards from Arts Council England and the Henry Moore Institute. Special thanks to Harewood House for believing in this project and offering encouragement throughout.
¹ Gormley, Anthony, ‘Gormley on Epstein’ ( BBC Radio 4, November 2009)