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World Book Day – Sharing Stories from Harewood’s Libraries

This World Book Day, we wanted to share some stories from the books that call the libraries at Harewood their home. There are more than 10,000 books held within the 3 libraries – Main, Spanish and Old Library- at Harewood, collected by every generation of the Lascelles family and covering a range of different genres. From Classic Literature to Zoology, the libraries aren’t short of a story to tell ! 

 

Classic Literature – Vanity Fair, William Makepeace Thackeray, 1869.

Vanity Fair is a novel by the English author William Makepeace Thackeray. Set against the backdrop of the Napoleonic Wars, the story follows the inter-linked lives of two women – the quick-witted Becky Sharp and the naïve Emmy Sedley – who both attempt to make their way in British society.

The novel’s title, Vanity Fair, references a fictional town named ‘Vanity’ in John Bunyon’s Pilgrim’s Process, which hosted a never-ending fair representing the sin of materialistic attachment. Thackeray’s narrative is framed as a puppet show taking place at this fair.

Vanity Fair’s subtitle, A Novel without a Hero, reflects the novel’s flawed characters and its satirisation of British society.

Vanity Fair book on bookcase

 

 

 

 

 

 

 

 

 

Vanity Fair was first published between 1847-1848 as a 19 volume serial – a popular method of publishing novels at the time. It was also illustrated with Thackeray’s own drawings.

The book was the first to be published under Thackeray’s real name, the author often choosing to use comic pseudonyms, such as George Savage Fitz-Boodle and Michael Angelo Titmarsh.

There are a number of Thackeray’s works in the libraries at Harewood, suggesting he was a popular author with the Lascelles family. This two-volume edition of Vanity Fair, published by Smith, Elder &Co. in 1869, belonged to the 5th Earl of Harewood.

 

Art and Design – The Gentleman and Cabinet-Maker’s Director, Thomas Chippendale, 1755.

The Gentleman and Cabinet-Maker’s Director, published in 1754 by the Yorkshire-born cabinet-maker Thomas Chippendale, was the first comprehensive catalogue dedicated to the design and production of furniture. It contained 160 engraved designs for a range of household furniture in a variety of styles. It enabled clients to order straight from the book or mix and match ideas to create something new.

The Director had widespread appeal and was an instant success. Not only did the book launch Chippendale’s professional reputation and generate trade, but it also played a key role in securing Chippendale’s design legacy around the world, with copies reaching as far as Russia and America.

Harewood’s copy of the Director is a 2nd edition, published in 1755. It contains the bookplate of the 1st Earl of Harewood, though it’s possible it may have belonged to Edwin Lascelles, builder of Harewood House and patron of Chippendale’s most lucrative commission.
This copy was re-bound in the 20th century by the high-end book binding firm Riviere & Sons, decorated with tooled and gilt decoration on the spine.

 

Horticulture and Landscape Design – Botany for Ladies, Jane Loudon, 1842

Botany for Ladies was written by Jane Loudon, an English author who was a pioneer of both popular gardening manuals and science fiction.

Loudon’s first book, The Mummy, published anonymously in 1827, was a fictional account of living in Britain in the 22nd century and explored ideas around future technology. It caught the attention of John Claudius Loudon, a leading horticultural writer, whom Jane went on to marry.

After her marriage, Jane became fascinated with her husband’s field of horticulture, helping him with his research and publications. She realised that the highly technical language used in gardening manuals of the day was off-putting to women who might not have been taught much, if any, science as part of their education, and set about writing her own.

Becoming known as the ‘Mrs Beeton of the garden world’, Jane produced books that were precise and correct in content, written in an anecdotal style that was easy to follow.  The opening remark in Botany for Ladies (1842) reads: ‘The following pages are intended to enable my readers to acquire knowledge of Botany with as little trouble to themselves as possible.’

Her popular books helped thousands of women across the country to learn more about, and enjoy, gardening as a hobby. Jane was a self-taught artist and illustrated her own books.

There are a number of Jane Loudon’s gardening manuals in the libraries at Harewood, alongside works by her husband, though not, unfortunately, The Mummy.

 

Ornithology and Zoology – British Zoology, Thomas Pennant, 1776.

Thomas Pennant was a Welsh naturalist and travel writer. British Zoology was one of his first publications, forming a comprehensive study of animals across the British Isles.

It contained information on quadrupeds, birds, reptiles and fish, and was accompanied by over 100 colour illustrations. The work also included an appendix analysing and notating bird song.

British Zoology was first published in two volumes between 1766 and 1767 in folio form. Due to the inclusion of many expensive large-scale illustrations, the book was not a commercial success, however it was well received by fellow naturalists and earned Pennant a position as a fellow of the Royal Society.

 

Harewood’s copy of British Zoology is a later 4th edition, in a smaller ‘quarto’ format, which would have been less expensive to produce. It is still, however, very well illustrated with engravings. Thomas Pennant travelled around Britain with the artist Moses Griffiths, whose sketches were often used to accompany his observations.

Pennant was also a travel-writer and made notes about numerous tours taken across Britain, one of which included a visit to Harewood. Although he saw promise in Harewood’s landscape, the House was not to his taste, which was ‘fitted up with a profusion of expense and ornamental gilding…calculated for parade more than comfort’.

 

History and Geography – A Voyage to the Pacific Ocean, Captain James Cook and Captain James King, 1784

Published five years after his death, A Voyage to the Pacific Ocean gave an official account of Captain James Cook’s third and last voyage to the Pacific between 1776-1779.

On this voyage, it had been Cook’s mission to discover a shorter sea route for trade between Britain and the Pacific. It’s true purpose however, was concealed under the guise of returning the Polynesian, Omai, back to the island Raiatea, who had travelled with Cook to England two years. Omai had been presented to British society and even had his portrait painted by Sir Joshua Reynolds.

As a Captain of the Royal Navy, Cook spent a total of 12 years exploring the Pacific on three separate voyages. He is credited with making the first European contact with the eastern coastline of Australia and the Hawaiian islands, as well as the first recorded circumnavigation of New Zealand. Cook was killed in Hawaii in 1779 after attempting to kidnap the local ruler, Kalaniʻōpuʻu.

This book, based on Cook’s own journals, was so popular that the first edition sold out within three days. It contains several engraved plates and maps, illustrating the type of terrain encountered on his voyage as well as local individuals and animals.

 

The books within Harewood’s libraries are cared for by an independent charity. Whilst the house was forced to remain closed to visitors during the pandemic, our work to conserve these treasured objects never stopped. By Adopting a Book today you can help support the work of our Collections Care team, ensuring these books, and the many more items in our care, can continue to be shared when we are allowed to re-open, for the long-term benefit of the public.

The Harewood Bees

In this month’s guest blog, Harewood Food and Drink Project take us through the important role that bees have to play in our ecosystem and creating a regenerative environment at Harewood, as well as introducing us to Beekeeper Martyn, who keeps bees on the Estate and produces Harewood honey, which features in many a HF&DP dish.

Why are bees important?

We have a number of schemes in place to encourage a strong presence of bees, which helps to create a healthy, rich ecosystem encouraging biodiversity and a balanced habitat where a wide range of species can thrive alongside one another. Creating incredible food experiences that work in harmony, or to the benefit of, the local environment, has always been one of the key cornerstones of HF & DP.

Bees play a vital role in our food chain, as they pollinate a significant proportion of the food crops that we consume. Many of our everyday favourite food and drink items rely on pollination by bees, including many ingredients that can be found on site at Harewood; tomatoes, strawberries, figs, blackberries, mulberries and raspberries to name a few, all rely on bee’s activity. Other global everyday favourites include avocados, coffee, chocolate, grapes, i.e. wine.

The Harewood Bees  

A couple of years ago we were approached by Martyn, after he’d attended one of our events. He asked if he could keep his hives on Estate land. In exchange, a couple of times a year, he’d drop a box of honey jars off to the estate office for us to use as we wish, usually around 50 jars. For HF & DP there’s nothing that inspires us more than meeting those who are masters of their craft. Martyn’s knowledge, dedication, care and love for his hives acts as a reminder of why we love what we do and how inspiring our surroundings are.

We sell the honey with 100% of proceeds being put towards buying wild flower seeds which we plant close to the hives. Planting a variety of bee friendly wild flowers helps to improve the health of the bee colony, enhances the flavour and yield of the honey and helps to create a richer, more balanced and biodiverse ecosystem here at Harewood.

We have a number of other schemes in place across the estate to encourage a thriving bee population; through the preservation of orchards, planting of 25 hectares of flower rich margins on our arable farms and we’ve adopted a 3-year hedge cutting regime to maximise flowers and blossom.

The Taste of Harewood

Since we set up HF & DP, we’ve been trying to answer the question “What does Harewood taste like?”. It’s possible that Martyn’s honey is the purest representation that we’ve found yet, or indeed, probably ever will.

A honey bee hive requires several hectares of flower rich habitat for it to thrive. The location of Martyn’s hives means that the bee colony will gather pollen from all over Harewood’s landscape, from a wide range of flowers, before returning to the hives.

When Martyn harvests his honey, we end up with 100% pure honey. This means that absolutely nothing is added, exactly as nature intended.

Each batch, even each hive, will have its own unique flavour, never to be replicated, dependent upon what’s flowering and in season and what crops are growing nearby. If you’re one of the lucky few who manage to get a jar, let us know what flavour profiles you can pick out, tell us, what does Harewood taste like?

Whenever a new batch of honey arrives, Josh and our kitchen team will eagerly start writing menus and dishes using Harewood honey, inspired by it’s incredible flavour and provenance.

A big thank you to Martyn for allowing us to tell his story and to Claire McClean for the photos.

Josh Whitehead’s Honeycomb Recipe

Honeycomb is a great addition to many different puddings, giving sweetness and crunchy texture. Break it up and use to garnish ice cream, cake or chocolate. It’s also delicious half dipped in melted chocolate and left to set as a homemade Crunchie bar!

Ingredients

  • 320g Caster Sugar
  • 130g Honey (Ideally Harewood Honey, but a good quality runny or wildflower honey will also be fine)
  • 360g Glucose Syrup
  • 80g Water
  • 50g Bicarbonate of Soda, Sifted

Begin by adding all of the ingredients, bar the bicarb, in to a heavy based tall saucepan with the honey, water and glucose on the base of the pan.

Lightly grease a metal container and put to one side.

Heat the mixture on a low heat, gently stirring with a whisk until combined, then increase to medium high. Cook the mixture until it reaches 148 degrees on a food thermometer.

Take of the heat and vigorously whisk in the bicarbonate of soda for two seconds to mix well, then, being very careful as the mixture will be very hot, pour into the greased container and leave to set. At this point it’s very important not to aggravate the honeycomb as it can collapse, leave it to set at room temperature for one hour, not shaking or moving the tray.

Now you have the perfect addition to enhance any dessert !

 

 

The doors may be closed, but the work continues in the House…

Have you ever wondered what happens behind the scenes whilst the house is closed?

Winter is one of the busiest times of the year for the collections team. Every year when the house is closed to the public we undertake much of our annual deep clean. This year is no exception, as despite only being able to open the house for a short period in 2020, the collections and the house itself still require essential checking and cleaning. As an Accredited Museum with a designated collection we need to constantly monitor for any signs of damage or deterioration.

Each room is cleaned from top to bottom using conservation brushes and special vacuum cleaners; we even have our own scaffold tower so we can reach the ceilings. The collections care team are specially trained to use these and while they are cleaning they check for any signs of deterioration or pest activity. Some areas such as ceilings and curtain pelmets are done on a rolling programme as they don’t get as dusty as the areas lower down and we don’t want to cause damage by over-cleaning. We begin with the East Side of the house before Christmas and once the decorations come down it’s time to start in the rooms on the West Side.

 

The before and after… a half-cleaned mirror !

Each object in the room is also checked and cleaned using specialist equipment. Usually we would undertake this work with the help of a team of skilled volunteers but in order to ensure we are working within Covid guidelines we have had to stand them down this year and the staff are keeping socially distant.

This year we’ve also been undertaking an inventory audit and making sure that all the objects are marked with their own unique number. Each mark is made in a specific way so it doesn’t damage the object. It’s best to do this type of work at the same time as the cleaning so we only handle the object once, reducing the risk of accidental damage.

Here we have been cleaning a pelmet so have taken the opportunity to sew on a label at the same time.

During the lockdown we also need to be on site to keep an eye out for any leaks, monitor the environment and to regularly check for pests throughout the house including the attics.

There are a number insects which would enjoy munching their way through the collections if we let them, woodworm and carpet beetle are the most widespread across museums and historic houses. They like organic materials, particularly wood and textiles which make up most of the collections.

Igor The Palm Cockatoo

Meet Igor, the Palm Cockatoo.

Igor’s beak was slightly off-centre. Since parrots’ beaks continue to grow throughout their lifetime, they usually wear them down either by chewing on branches or hard items such as nut shells, or by rubbing the lower mandible against the upper mandible which makes a rasping noise (which makes Nick, our Bird Garden Manager, cringe)! Because Igor’s beak was not straight, it ran the risk of not wearing down evenly: sadly an overgrown or mis-aligned beak can cause problems for parrots as it hinders their ability to feed themselves or their chicks properly. They may also have issues climbing and moving about naturally.

 

In order to give Igor the best chance in life, the vet was recently called out and fortunately (for Igor !), his beak was not severe enough to need a brace. Instead, the vet carried out a beak trimming procedure; an operation requiring anaesthetic. We are very much hoping that since he is a young bird who is still growing, this minor beak trim will allow the beak to correct itself and straighten out. If these problems are caught early enough they can usually be relatively easy to solve. In the picture above he is showing off his newly trimmed beak.

 

Operations such as these go hand-in-hand with caring for living collections such as those found at Harewood. Our annual vets bills are in excess of £15,000, that’s around 400 Individual memberships every year.

 

Igor is the first palm cockatoo to be hand raised at Harewood. We removed him from the nest at seven days old, as chicks have not recently been surviving with their parents during the last couple of breeding seasons. After four months of hand feeding the chick, he is now fledged (able to fly)  and almost fully weaned onto his adult diet. He will go on to play an important role in European breeding programme for this increasingly threatened species.

 

It’s Snow Laughing Matter – A Bird Garden Winter Update

Our Burrowing Owls in the snow. Picture by Francesca from our Bird Garden Team.

Last week saw West Yorkshire covered in snow, with Harewood forced to close to visitors due to the weather. In this blog, our Bird Garden Manager Nick Dowling explains how our feathered friends deal with the cold temperatures. 

Although most of the species we keep in the Bird Garden are cold hardy and well acclimatised to the Yorkshire weather, the recent low temperatures and snow have meant that some of the tropical birds such as the cockatoos and brown lorys have been making good use of their heated sheds. The flamingos have also been shut into the boat house while the lake has been frozen. Although naturally they are able to live at high altitudes and survive extremely low temperatures, a combination of long legs and slippery surfaces can cause problems for flamingos, so for their safety we keep them inside until the ice has melted.

Two of our Kookaburras enjoying (?) the snow. Photo by Francesca.

Another potential problem caused by the lake freezing are visits from foxes who travel across the ice to snoop around the bird garden at night. Keepers have the tiring task of breaking ice around the chain ferry and Capability boat jetties to ensure there is no easy access route for potential predators. Unfortunately our mother and son red crested turaco did not have the sense to roost indoors so our keepers Abby and Peter have had to use gentle encouragement and shut them in their warm house on an evening!

 

A frosty Penguin Pool ! Photo by Francesca.

Although from the Atacama Desert of Peru and Chile, the Humboldt penguins are quite content in the snow and often the younger members of the colony will chase snowflakes as they fall.  Due to the freezing cold currents in which they swim, as well as the cold desert nights, Humboldt penguins are well adapted to cope with the cold despite their status as a tropical penguin species. They have a layer of blubber under their skin for added insulation, as well as two layers of thick densely packed feathers for waterproofing and further protection against the cold.

 

Our Andean Condor isn’t too sure what to make of this snow…Photo by Abby, a member of our Bird Garden Team.

 

Some more feathered friends were out and about in the snow last week : 

A Greater rhea and Alpaca out for a snowy walk. Photo by Francesca.

Our Satyr tragopan standing out against the snowy backdrop with its bright feathers. Photo by Francesca.