“…volunteering has really made a massive difference to my life…”

Sam has volunteered in the gardens at Harewood for six years. “I wanted to share my story as volunteering has really made a massive difference to my life, I am more confident and feel part of a family at Harewood.”. Twelve years ago Sam suffered a head injury which left him with long term mental and physical health problems. Sam listened to a Monty Don Audiobook which discusses the healing power of gardens and gardening. Often in pain as a result of his injury, these words are really meaningful to Sam. Working in the fresh air, surrounded by stunning scenery and nature, Sam can be himself.

He also takes great pleasure in interacting with the visitors, sharing stories of the work he is involved with. Hearing visitors say how much they love visiting the Walled Garden makes his day and motivates Sam to continue to play his part in supporting the Grounds and Garden Staff and Volunteer Team.

This year Sam and his fellow volunteers have been working in the Walled Garden on the “no dig project”. Initially creating pathways and raising beds, then covering them with carboard or biodegradable carpet underlay, to minimise digging, suppress weeds and retain moisture.

Sam is a keen photographer and maintains a weekly photo diary to help him recall the work he does. His diary now runs to 1100 pages!

We all have mental health and, just like our physical health, it needs looking after to ensure we stay well.

In February 2021, two employees at Harewood became Mental Health Champions. The aim was to raise awareness of mental health and wellbeing among staff, to challenge the stigma around mental ill health, and provide peer support to colleagues.

The current statistics in the UK show that one in four people will experience mental ill health in any given year (leedsmind.org.uk). Between one in five and one in six working age adults are depressed, anxious or experiencing stress-related issues at any one time (MHFA, 2016). This demonstrates the growing need for employers to support mental health and wellbeing, just like physical health, to empower employees to thrive.

Our Mental Health Champions recently completed training to become Mental Health First Aiders in a two-day course run by Leeds Mind. The course gave our First Aiders an in-depth understanding of mental health and the factors that can affect wellbeing, as well as the practical skills to spot the triggers and signs of mental ill health.

Jake Fireman, Visitor Experience Team Member and Mental Health Champion comments:

Learning about mental health first aid was a fascinating and often intense experience. It was very interesting to find out about how a mental health first aid situation can be approached and managed safely and properly in much the same way a physical first aid incident can be. The skills and knowledge I have acquired have greatly increased my confidence in handling and understanding any manner of mental health crisis, big or small, and I am proud to be a Mental Health Champion here at Harewood.

Emily Long, Visitor Experience Manager and Mental Health Champion comments:

Becoming a Mental Health First Aider has been invaluable for me as a line manager to reassure and support staff. It has enhanced my interpersonal skills such as non-judgemental listening and has given me the knowledge to help someone recover their health by guiding them to further support – whether that’s self-help resources, through our Employee Assistance Programme, the NHS, or a mix.

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Find out more about Leeds Mind>>>

This week marks the peak of cherry blossom  season here at Harewood, a brief but magical moment in our seasonal calendar.

Here are the trees looking incredible.

Known as Sakura in Japan, Cherry Blossom takes on a spiritual meaning, symbolising the transience of life and acts as an icon for the nation. They’ve become a cultural phenomenon around Japan attracting huge numbers of domestic and international tourists to marvel at the displays all over the country. The display at Harewood may not be quite as spectacular but we still eagerly look forward to it before it’s gone in a cloud of pink & white blossom sprinkled around the Estate.
Another sign that Spring is here and, in many ways, the perfect embodiment of seasonality.

Cherry Blossom & HF&DP

Cherry Blossom has become an hotly anticipated moment in Josh Whitehead’s foraging calendar, patiently waiting for the blossoming buds to appear before rounding up a team to harvest. Plenty for our chefs to play with but not enough to impact on the display. Josh will be making a range of sugars, salts, vinegars, oils, syrups and cordials using the years harvests. They’ll feature in sweet & savoury dishes and cocktails throughout the course of the year. Courtyard Café and Terrace Tearoom General Manager, Iain Silver is eager to work the syrups in to our cocktail menu at the Terrace Tearoom when we reopen at Harewood House.

By using a range of methods, like dehydrating, pickling and curing, we’re able to prolong their season and enhance their flavours.

Expect flavours of marzipan and a very light hint of the fruit.

There are some spectacular blossoming trees on the estate, but the best display is at Knap’s Yard on the lawn in front of the Harewood Holiday cottages.

The view from the cottages is spectacular and a special treat for any guests staying at the right time of the year.

In Japan there’s a designated forecast for when the blossoms will be at their best, known as the “Cherry Blossom Front”, eagerly watched by those planning “Hanami”, celebrations amongst the Blossoms.

We don’t have a forecast for it in Yorkshire but they’re usually at their best in the last week in March or first week of April.

Eddy Lascelles, Managing Director, Harewood Food & Drink Project

“Over the last couple of weeks the team have re-homed 15 pictures across the State Floor, taking 4-5 people approximately 4 full days to undertake.” 

Hanging pictures in a house like Harewood is a little like playing Tetris – move one, and it inevitably means you have to move something else to fill its place, and on it goes. Each replacement has to be appropriate in terms of size, period, medium and content in relation to its new neighbours, so it’s a carefully thought through procedure. It’s something that the House and Collections team do often at this time of year, in preparation for new displays at the start of the season. Over the last couple of weeks the team have re-homed 15 pictures across the State Floor, taking 4-5 people approximately 4 full days to undertake. 

The process is time consuming and sometimes logistically challenging. Most of the pictures moved during this year’s re-hang were located high-up on the walls of several different State Rooms, with carved and gilded frames making them heavy and cumbersome to manoeuvre (particularly those with elaborate decorative corners). The team used a scaffold tower to make the process as safe and secure as possible for both staff and artwork. It also offers the unique opportunity to experience a room from above and see Harewood’s magnificent ceilings up-close – a rare treat. 

After having cleared a room of furniture, the scaffolding was erected and dismantled several times within each room, taking particular care to avoid delicate fixtures and fittings (such as chandeliers and mirrors) and ensuring carpets were protected using drugget. The works to be relocated were first of all removed from the walls across each of the different spaces, creating space to then reinstall each one in their new homes. Between locations, each picture rested for a time on foam blocks or easels, and if necessary picture lights and fixings were adapted to suit their new positions. Depending on the weight of the piece, dolly wheels were sometimes used to transport pictures between rooms. 

Whilst off the wall, it’s a great time to inspect pictures up-close and undertake a quick visual check of their condition, as well as appreciate their detail at close range. It’s also an opportunity to look at the reverse of a picture, which tells an alternative story about a work through the scars of framing alterations and old exhibition labels. 

When re-hanging the pictures, a hydraulic scissor lift was used (where possible) to lift them to the first level of the scaffolding where they could then be manually lifted up the scaffolding and into position by the team. The pictures were then carefully attached to the walls using picture chains and hooks. Finally, a team member on the ground made visual checks to ensure the pictures were level – often it’s helpful to use the pattern of the wall hangings to make sure they are sitting at the same height as their neighbours. 

Although re-hangs take time and planning, they are a rewarding task. It is always interesting to see familiar pictures in new places – literally seeing them in new light, and allowing new comparisons and new stories to be told. 

– Beckie Burton, Assistant Curator