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Taking Inspiration from Beyond Harewood

Chateau_de_ChaumontTrust Director, Jane Marriott, gives an insight into what has inspired her this season and how this plays into Harewood’s future.

Two weeks ago, I was on the train to France with two rather different purposes in mind. One was very much looking to the future, as I constantly scan the horizon for new ideas linked to the best artists and creative directors to bring back to Harewood. Secondly, we were celebrating the past, the stunning Renaissance times, as a new exhibition dedicated the artist El Greco opened in Paris, and features a loan of one of our star works; Allegory.

No matter what turmoil Brexit is currently in, we will continue to work with our brilliant colleagues overseas, drawing inspiration from what they are doing and working hard to attract many visitors back here to enjoy Yorkshire. One such beautiful place is Chateau de Chaumont sur Loire, founded in the 10th century and rebuilt in the 15th century. It was there that I hoped to explore not the historic architecture, but rather their hugely ambitious international garden festival, now in its 28th year , which showcases incredible contemporary art, placed imaginatively around the landscape.

Bringing historic houses and gardens alive with great programmes is only possible if we seek to work with the best artists and creative teams. Only then can we hope to encourage people to return time and again to Harewood, and even better, to join us as a Harewood Member.

Finding projects which will inspire us and genuinely enrich our lives, has to be balanced with protecting and sharing our heritage. A garden festival needs to be environmentally sustainable and like Make It Harewood earlier this year, needs to offer a full programme of talks, workshops and a hands-on learning, where people can engage on a deeper level. Watch this space as we look to develop the next exciting chapter for our gardens.

Meanwhile, as an Arts Council accredited museum, we have significant collections of Renaissance art, as well as the largest commission of Chippendale, beautiful Sevres and Chinese porcelain and 19th century portraits and landscapes. To see Harewood’s¬†El Greco taking pride of place in the Grand Palais, before the show travels to America, was rather wonderful. We need to share our treasures, not just at Harewood, but with partners all over the world. If you are lucky enough to be in Paris this autumn, I really would recommend a visit!

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