Behind the Scenes at the foundry with our photographer Colin Davison…

‘Very dusty and quite dangerous!’ were the first words Colin used to describe his experience of the foundry where two new Antony Gormley pieces are being made for Harewood…

The foundry process is only one part of the production, done one at a time, the piece is prepared ready at the studio, made from polystyrene blocks carefully and precisely cut and assembled to plan, then sprayed with a ceramic coating to create a shell of sorts around the polystyrene.

The piece is then buried in hard-packed sand, this is called ‘ramming’. A day or two later, ‘blowback’ sparks fly as the hot iron is ‘poured’, the sand acts as a barrier to contain the hot metal once the polystyrene has burned away… and then it is all left to cool completely…

A couple of days later the piece must be ‘knocked out’ and excavated from 2 tons of sand, it’s a strange and gruesome sight, black with ash and rough around the edges… the piece is then ready to go to the studio to be ‘fettled’, essentially cleaned up ready for oxidising and then on to Harewood ready for the exhibition!

A specially commissioned film documenting the process of the two pieces being made will be shown alongside the exhibition at Harewood, including an exclusive interview with Antony Gormley himself… don’t miss the show this summer!

Find out more about the exhibition and visiting Harewood on our website here… www.harewood.org/gormley

At last night’s private view to launch Harewood’s Epstein exhibition Finding Adam, Diane Howse (Viscountess Lascelles) announced that sculptor Antony Gormley will be showing two new pieces of work in the Terrace Gallery later this summer.

Our current exhibition ‘Finding Adam’ explores the epic journey of Sir Jacob Epstein’s magnificent alabaster sculpture Adam from his origins in Epstein’s studio in London to Harewood House in Yorkshire, via Blackpool, New York, Cape Town and the Edinburgh Festival, as well as celebrating his return from cleaning and exhibiting at the Royal Academy of Arts in London.

“Adam and Epstein are a very hard act to follow,” said artist/curator Diane Howse. “I knew of Antony’s relationship to Epstein’s work and all of us here are huge fans of Antony, so we’re thrilled to have two pieces by him in the Terrace Gallery later this summer. It’s very much in keeping with our policy of showing the best of contemporary art alongside our historic collections, something my father-in-law Lord Harewood set in motion when he brought Adam here in the 1970’s. Yorkshire is rapidly becoming the place to see modern sculpture: the Yorkshire Sculpture Park and the Henry Moore Institute are well-established of course and they are about to be joined by the Hepworth Gallery in Wakefield, which opens later this month. We’re proud to be playing our part in this celebration, not only with the Epstein exhibition, but also by showing work by one of Britain’s finest living artists.”

Antony Gormley adds: “I am delighted to have the opportunity to show two works at Harewood House, long associated with ‘Adam’, Epstein’s powerful evocation of masculine yearning carved from a massive block of English alabaster.

My material is iron. Smelted and cast in Wednesbury, it also engages with the block but uses the language of architecture to interpret the male human body as an unstable space made up of individual cells fused and propped together. The room in which the works will be shown is supported by four stone columns that make you aware of the load path of the building. I hope that these two works, in which columns and masses describe an unsteady vertical stack twisting through 90 degrees, will allow the viewer to think about his or her own body as a vertical tower.”

Antony Gormley’s installation will open to the public in the Terrace Gallery at Harewood on Saturday 13th August and will run till 30th October.

You can read more about the forthcoming Gormley exhibition on our webpage here… www.harewood.org/gormley