We are all now great Mary Berry fans at Harewood. Over Christmas over 2 million people watched Mary at Harewood House on the BBC.
But what we particularly enjoyed was showing Mary and the wonderful crew at Shine TV, the many stories that have developed here over two centuries, and give an insight into how the future might look.
Starting the year with so many political and economic uncertainties in the face of Brexit, it is perhaps not surprising that we look to the comfort and steadfastness of spending time at home, surrounding ourselves with our treasured and familiar objects, spending time with friends and family. The holiday industry is also anticipating that it will become a sector driven less by exotic spa-breaks and overseas far flung holidays, and more by a growth in accessible, affordable ways to take time out and enjoy what is on our doorstep.
Interestingly, everything is now seemingly based on buying local, supporting great makers and surrounding ourselves with beautiful, tactile objects, from thick wool rugs, to velvet throws and gorgeous objects on display – this is reassuring and helps us feel as though we have some control in how we look after ourselves. Our homes are a place to retreat to and replenish ….I’d like Harewood to feel the same as you drive through the gates into another world, which is just as familiar, warming and enjoyable.
Craft and design will always be affected by what is happening in the world and this current moment is no exception. We will celebrate great makers this year with ‘Useful/Beautiful: why craft matters’, the first exhibition of our newly launched Harewood Biennial. We’ll pose questions about craft in a digital age and our yearning still for something physical and sensory. To explore objects that give us a thrill to look at, touch and ponder. To wonder how something was made, who was involved and why they chose to make it. Our ambition is to create the most significant craft and design show outside London every two years.
We are clearly moving towards a rejection of a throw-away society and a pace of life so fast that it is exhausting. This year at Harewood we’ll continue to help visitors find their oasis of space, perhaps by wandering through the engaging sound installation of the Pleasure Garden, sited in the Walled Garden this summer, or by celebrating 30 years of working with great contemporary artists at Harewood, in a new exhibition in the autumn called ‘Postcards to the Future’.
For now, after a day of meandering through the glorious work of great craftsmen from the past at Harewood, from expansive Adam ceilings to intricate carvings on Chippendale furniture, I am happy to be inspired to create my own corner of luxury at home. Let’s not kid ourselves, my house is far from an architectural gem, revealing a mix of Georgian, Victorian and 20th century additions…but I can’t deny the thrill of pulling back old carpets and chipboard to reveal striking slightly battered floorboards yearning to be restored. My husband and I may yet be our own versions of great craftsmen ….!