This week Bird Garden and Farm Manager Nick Dowling and his team created some special ice lollies…

As the nation is enjoying/managing unprecedented temperatures and with the heat as high as 34 degrees in Yorkshire this week, we’ve been taking measures to ensure the wellbeing of the animals in the Harewood Farm Experience.

Whilst the penguins at Harewood are not unaccustomed to warm temperatures, this is a Humboldt penguin colony, from the Atacama Desert in South America. The bird though did appreciate giant ice blocks of frozen sprats thrown into their pool, which cooled the pool down too.
Over to the pot-bellied pigs and the goats, a mixture of fruit and vegetables were frozen into ice blocks and then hung for the animals to approach and lick to cool down.

The blocks included grapes, corn, carrots and other fruit. The goats in particular approached these with great interest.

Nick said; “There’s plenty of shade here for the animals to rest and relax in, whilst the temperatures rise, but we wanted to give them an extra treat and an opportunity to try something new, hence the ice blocks. Whilst Trotters and Pudding (the pigs) were not initially sure about it, the goats seemed delighted, and we’ll just keep adding new blocks as the ice melts over the warm weather.”

Visitors can book onto a Keeper Experience at Harewood, feed the penguins and walk the alpacas…find out more online.

Linen at Harewood House

Over the years as a working family home, Harewood House and its inhabitants amassed a significant collection of table and bed linen, used to dress both public and private spaces for occasions of every kind.

Over the past three months, a project to document and re-house this collection, which consists of table cloths, placemats, napkins, bed sheets and pillowcases, from the humble to the highly decorative, has taken place.

Trust volunteers Avril and John have worked methodically to create an inventory that describes in detail the fabric and patterns of the mainly white and ivory linens, measuring each item and highlighting any identifying marks such as the family crest or the Garter Knights coat of arms, some of which date back to the 1930s. Once listed and photographed, each piece was then carefully packed and wrapped in Tyvek (a lightweight, water resistant yet breathable material) to prevent dust or pest infiltration. Finally, each bundle and box was labelled and its storage location recorded.

“We’ve had a fascinating time working on this project,” said Avril, who has been volunteering with Harewood House Trust for many years. “It was interesting to note the patterns and to see that decoration was quite seasonal, maybe with flowers and fruit for one time of the year and other foliage for different times of the year. Some of the tablecloths stretch over fifty metres.”

Rebecca Burton, Assistant Curator and Archivist, added: “During the documentation process, the volunteers discovered beautifully embroidered and hand-finished items that resonate particularly well with our current exhibition Useful/Beautiful: Why Craft Matters, particularly the contemporary work on display in Princess Mary’s Dressing Room by the studio Jenny King Embroidery. Some particularly beautiful placements decorated with Irish embroidery (the technique employed by Jenny King) discovered during the project are currently on display in that room.”

A communication from the 6th Earl to Princess Mary in January 1922 says;

“I hear very privately that N. Ireland is to give us linen [for a wedding present] and have asked whether it should be embroidered or not. They have been told not. I am glad as it is a bore to wake up with a coronet impressed on one’s cheek!”

Useful/Beautiful: Why Craft Matters continues in the House until 1 September 2019.

Whilst we celebrated National Volunteer Week last week, one of the most positive stories to come out of this year is that for the first time we welcomed four students from the University of Leeds, who then went on to gain full time employment at Harewood.

Students Lucy, Rachel, Emma and Hannah all came to Harewood for different reasons. They are now fully employed members of the Visitor Experience team for the season and we are delighted to have them on board and with such knowledge of Harewood already.

Lucy Bowley studied Fine Art at the University of Leeds. She joined us after a university trip to Harewood. She started as a Room Steward.
“I volunteered in the house. I loved chatting to visitors from around the world and sharing the interesting facts about each room. I’m now a Visitor Experience Team Member.”

Rachel Tonks was on her third year of studying Fine Art with History of Art, when she started as a volunteer. She explains that being a volunteer at Harewood House was a good way for her to join her interest for Country Houses and Heritage with her job, while learning more about it.
“I really enjoyed having the opportunity to learn in detail about the house and it felt good to be a part of giving visitors an experience of Harewood that was meaningful and interactive.”

Emma Hunt Shelley is a Classics student who came as a volunteer Room Steward over Christmas.
“I would encourage everyone to volunteer because I really feel that it gave me a once in a lifetime opportunity to work in a place like Harewood and continues to do so every day that I go into work!”

Hannah Lee Hargreaves was in her last year at the University of Leeds when she attended a volunteer open day at Harewood.
“I fell in love with the place, and became a volunteer Room Steward over the Christmas period, allowing me to learn more about the history of the house and the estate. “

These students are a good example of how being a volunteer can lead to a job. We are continually looking for new faces to join our team, you can find out more information online

Together with the Crafts Council, we co-produced a series of short films about our current exhibition, Useful/Beautiful: Why Craft Matters. Here’s the second in the series.

Rugs made from hand-dyed locally sourced wool, surplus from the carpet trade, dyed with natural matter from Harewood, oh and created by an artisan local rug maker…

For the first Harewood Biennial, designer Max Lamb – known for his experimental and imaginative use of materials – gathered 50kg of vegetation from around Harewood. The random surface patterns and unusual shapes contrast with the classical lines of the Yellow Drawing Room, originally design by Robert Adam.

Tell us what you think of this short film…

Is craft a product or a process? Is it always something handmade?

A cohort of contemporary makers challenge preconceptions about what the word means today and the role craft can play in shaping culture, identity and society at a new craft biennial in Yorkshire, called ‘Useful/Beautiful: Why Craft Matters’. Works by bookbinder Kate Holland, embroiderer Jenny King, and furniture designers Max Lamb and Yinka Ilori sit alongside historic works by Thomas Chippendale and Robert Adam inside Harewood House, a Georgian manor near Leeds.

In this film – co-produced by Crafts magazine, the Crafts Council and Harewood House – we meet some of the makers and curators, who together aim to spark debate.

‘Useful/Beautiful: Why Craft Matters’ runs until 1 September 2019 biennial.harewood.org