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Harewood appoints new Head of Learning and Access

Meet Mark Jackson, who’s recently joined as Head of Learning and Access here at Harewood.

 
“I’ve worked in the museums and cultural heritage sector for ten years and can’t wait to relaunch Harewood’s outstanding learning offer later this year. Not only is Harewood House an amazing building, it has so many interesting stories to tell and an incredible potential for learning. For any teachers or learning providers out there, please do get in touch and let us know exactly what you would like to see as part of this programme. We would genuinely love to hear from you!”
 
On Mark joining the team, Director of Collections, Programme and Learning Hannah Obee comments “Since Covid struck in 2020 we’ve been busy behind the scenes, reviewing and consulting regionally on how we can provide a learning offer that meets the evolving needs of our schools and communities. There are so many opportunities to Learn at Harewood – the Gardens and Grounds, Bird Garden and Farmyard, and the House. I’m delighted to welcome Mark to the Learning team to put this into practice.”

Harewood House Shortlisted for Historic Houses Garden of the Year Award

Terrace Garden. Harewood House,Yorkshire, UK. Early Autumn, September 2015.

 

The beautiful and diverse gardens of Harewood House have been shortlisted for the prestigious Garden of the Year Award from Historic Houses, sponsored by world-famous auction house Christie’s.””

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Decided by a public vote, the Award recognises the importance of some of the country’s most spectacular gardens with outstanding horticultural and public appeal. The 100 acres of gardens at Harewood include the formal, intricately designed Italian parterre on the Terrace; the Himalayan Garden that takes visitors to mountains on the other side of the world; the naturalistic planting of the lakeside woodlands; and the inviting Walled Garden, used now to grow produce and for innovative, immersive exhibitions.

Ben Cowell, Historic Houses Director General, comments:

“We are a nation of garden lovers. The experience of lockdown has only made us appreciate the wonders of the garden even more. This is true whether we are lucky enough to tend a garden of our own, or simply enjoy visiting professionally maintained gardens to appreciate the work of talented gardening teams.

“Every year, we hold a vote in a competition to find the UK’s greatest garden. The eight gardens in our shortlist represent the very finest gardens open to the public across the country.

We are proud to have run the Garden of the Year award annually since 1984 with the support of Christie’s. Every year the race to the title is hard-fought, and this year’s shortlist is no exception. Please do cast your vote, and show your support for these wonderful gardens and the talented gardeners who brought them to life.”

In 2020 Harewood’s gardens became even more important, providing a vital source of respite for local communities during the coronavirus restrictions.

Jane Marriott, Harewood House Trust Director comments:

“Visitors enthusiastically returned when the gardens were re-opened in July 2020, with the wide open spaces allowing families and friends to meet safely, and the beauty of the surroundings promoting peace and wellbeing for all. It brought a lot of joy for us at Harewood, to be able to provide a space for people to come together during such difficult times. We do hope that our wonderful gardens brought some relief, and that visitors will vote for us for Garden of the Year.”

“Harewood’s gardens nod to the past whilst looking to the future. The Archery Border takes inspiration from the Victorian obsession with exotic planting, since it lies beneath the Terrace built by Sir Charles Barry in the 1840s. The Himalayan Garden grew around Princess Mary’s 1930s rock garden, with planting informed by her correspondence with the Royal Botanic Gardens; and the Walled Garden, once a kitchen garden to support the House’s role as a hospital during the First World War, now again has fruits and vegetables planted in neat allotments. However, the methods for growing are changing with Harewood’s environmental concerns.”

Head Gardener Trevor Nicholson, who has been at Harewood for over 25 years, comments:

“Our vegetable plots have been converted to a ‘no-dig’ cultivation system to conserve soil ecology, save water and reduce the carbon footprint. Plants for pollinators are interspersed among organically-grown crops, to enrich the biodiversity of the garden, and plant material is recycled into compost, used throughout the gardens as mulch and soil conditioner.”

Anyone who appreciates and values the stunning Harewood House gardens can vote for Harewood to win the Garden of the Year Award here.

Voting closes on Thursday 30 September and the winner will be announced in November.

Open History at Harewood

As we prepare to launch our inaugural Craft Spotlight this Saturday 26 June 2021, Hannah Obee, Director of Collections, Programming and Learning, takes us through why Craft Spotlight was created, our Open History programme and Harewood’s commitment to being open and honest about its past.

Black Lives Matter. We knew this, we agreed and we felt we were addressing this, promoting diversity and inclusion through our exhibition and learning programmes. Then on 25 May 2020, George Floyd was murdered on a street in Minneapolis. Suddenly the lens we looked at the world through fractured with a brutal reminder of the vast spectrum of challenges faced by Black people.

While Harewood has repeatedly been committed to addressing its past, opening debate into our roots in the Atlantic Slave Trade, culminating in a year-long programme of events to mark the Bicentenary of the Abolition of Slavery in 2007 and giving emerging artists a platform, by commissioning artists of diverse heritage, from Sonia Boyce to Rommi Smith; the momentum of the BLM movement last May stopped us in our tracks and made us reassess our contribution.

Artist Chris Day in his workshop

Craft Spotlight : Chris Day

During our 2019 Harewood Craft Biennial, I read a report that 96% of professional, full-time crafts people identified as White British. We had already decided this lack of diversity would be a key subject for discussion in the next Harewood Biennial. What we needed though was a consistent response to this lack of racial equality in the Craft world, so we developed Craft Spotlight. This provides funding and a platform for an emerging maker of diverse ethnicity to showcase their work, promoting Craft to people of diverse heritage and ensuring their voices are represented at Harewood. The inaugural display opens 26 June 2021 in All Saints Church at Harewood and features the work of emerging glassblower, Chris Day. His research into Black history and his personal experience made him want to create work that started challenging conversations around Black history including the Transatlantic Slave Trade. His aim is to inspire more Black glassblowers through his own work. Craft Spotlight will continue to be staged in the years between the Biennial.

Photograph of George Bertie Robinson

George ‘Bertie’ Robinson

This year we also begin an annual series that will celebrate and share the often-untold stories of people of African descent with Yorkshire connections throughout history. For 2021, we have teamed up with Leeds-based DSRG (the Diasporian Stories Research Group) to bring to life Bertie Robinson: The Footman from St Vincent (17 May – 31 October).  George ‘Bertie’ Robinson travelled with the 5th Earl and Countess from the West Indies to Leeds in 1893 aged 13. Harewood’s first black member of staff, his personal story is extraordinary and compelling. Yet it also lays bare the impact of colonialism in the West Indies post-slavery and attitudes to race in Britain in the early 20th century. These led to him losing his job after nearly 30 years of working for the Lascelles family. New discoveries made while researching the exhibition are included in the display on the State Floor. Our Assistant Curator and Archivist, Rebecca Burton, uncovered letters from his mother Amelia Robinson to the 5th Countess of Harewood while an email to DSRG answered some long-asked questions of what happened after Bertie was sacked. We are very grateful to the Wray family for allowing us to share their story.

 

Two actors in victorian costume reading and looking at books in a library

A Storm at Harewood with Heritage Corner

Finally for 2021, Heritage Corner brings its unique brand of insightful Black History Walks to Harewood in A Storm at Harewood on selected dates between 12 June and 14 August. Following the success of their regular events in Leeds City Centre, Joe Williams and Vanessa Mudd take Pablo Fanque’s Circus Royal performance at Harewood in 1847 as a jumping off point to explore African and West Indian connections to Harewood in an imaginative, fun and family-friendly guided walk of the House and Grounds.  Exploring 2,000 years of African presence in Yorkshire, the walk will provide a greater understanding of Africa’s rich history and contribution to the region.

Mental Health First Aiders at Harewood

We all have mental health and, just like our physical health, it needs looking after to ensure we stay well.

In February 2021, two employees at Harewood became Mental Health Champions. The aim was to raise awareness of mental health and wellbeing among staff, to challenge the stigma around mental ill health, and provide peer support to colleagues.

The current statistics in the UK show that one in four people will experience mental ill health in any given year (leedsmind.org.uk). Between one in five and one in six working age adults are depressed, anxious or experiencing stress-related issues at any one time (MHFA, 2016). This demonstrates the growing need for employers to support mental health and wellbeing, just like physical health, to empower employees to thrive.

 

Our Mental Health Champions recently completed training to become Mental Health First Aiders in a two-day course run by Leeds Mind. The course gave our First Aiders an in-depth understanding of mental health and the factors that can affect wellbeing, as well as the practical skills to spot the triggers and signs of mental ill health.

 

Jake Fireman, Visitor Experience Team Member and Mental Health Champion comments:

Learning about mental health first aid was a fascinating and often intense experience. It was very interesting to find out about how a mental health first aid situation can be approached and managed safely and properly in much the same way a physical first aid incident can be. The skills and knowledge I have acquired have greatly increased my confidence in handling and understanding any manner of mental health crisis, big or small, and I am proud to be a Mental Health Champion here at Harewood.

 

Emily Long, Visitor Experience Manager and Mental Health Champion comments:

Becoming a Mental Health First Aider has been invaluable for me as a line manager to reassure and support staff. It has enhanced my interpersonal skills such as non-judgemental listening and has given me the knowledge to help someone recover their health by guiding them to further support – whether that’s self-help resources, through our Employee Assistance Programme, the NHS, or a mix.

 

 

Follow Harewood on social media @harewoodhouse

Find out more about Leeds Mind>>>

 

Harewood House & Geraldine Connor Foundation selected as partners for new youth programme

Harewood is delighted to have been selected in partnership with The Geraldine Connor Foundation as a Key partner for ‘Where we Are…’ a new national programme for young people by The British Museum.

Organised by the British Museum, and supported by the Paul Hamlyn Foundation, projects will be led by and co-produced with young people. The open and collaborative nature of these projects will enable creative and unconstrained approaches towards the idea of arts and culture. With direct input from young people aged 16–24, these bespoke projects will develop and evolve in response to a need in the local community. The Key Partner organisations involved span from a museum to historic house and art gallery and will support under-served young people to produce diverse and unique projects with their charity counterparts. These third sector bodies have missions ranging from a focus on young carers, a nurturing of new talent and the provision of music and arts education.

Harewood House Trust and the Geraldine Connor Foundation will work on a project with the idea that Harewood House acts as ‘My House’ – a place belonging to everyone individually. Young people will form a creative response to any aspect of the house, its landscape its collections and its history, including exploring decolonisation narratives and varying ways to present history.

Selina McGonagle, Director at Geraldine Connor Foundation said: “The Geraldine Connor Foundation is thrilled to have been selected to be part of the Where we are… programme. This co-produced project will be an opportunity for young people to explore the history of Harewood House creatively in their own way, giving them the freedom to express what the house means to them today.”

Jane Marriott, Trust Director at Harewood House said: “Since 2012 Geraldine Connor Foundation and Harewood House have worked closely on creative projects for young people across Leeds and the wider area. We do this in order to lift up marginalised voices and promote equality, diversity and inclusion. We use our programme to engage our audiences with the urgent issues of our time. It is therefore wonderful to have this commitment recognised by the British Museum and to be a partner in the Where we are… programme, offering underrepresented young groups the opportunity to address issues such as this across the UK today.”

FIND OUT MORE 
The British Museum – Where We Are …
The Geraldine Connor Foundation 
Follow Harewood on social media @HarewoodHouse