Harewood House Trust is an educational charity Trust, registered Charity in England no 517753, and as such, all strategic decisions regarding the charity’s future are taken by a Board of Trustees, who follow the Charity Governance Code and the laws set out by the Charities Commission. Members of the Lascelles family are a key part of the Trust’s Board, and whilst they must always be in the minority, the work alongside the majority of non-family Trustees to provide guidance and continuity, in order to share responsibility for the Trust’s long-term sustainability and fulfilment of charitable aims. Board members embody a wide range of skills and expertise shared with the Trust for no remuneration. This includes extensive senior experience in the fields of collections care, finance, arts, culture and heritage, business, fundraising, diversity, education, marketing and communications.
Alongside the Board of Trustees sit a number of committees, with delegated authority for specialist areas, as well as the separate Harewood House Trading Limited (company number 01986016). All the profits of the Trading Company are paid to the Charity for the sole purpose of supporting the Trust in delivering its charitable aims.
Harewood House Trust
Board of Trustees
David Lascelles, Earl of Harewood, Chair
Diane Howse, Countess of Harewood
Lady Emily Shard
Andrea Nixon MBE
Nima Poovaya-Smith OBE
Jane Marriott, Trust Director
Martin Horbury, Company Secretary
Harewood House Trading Limited
Board of Directors
Michael Bates, Chair
Jane Marriott, Trust Director
Martin Horbury, Company Secretary
Earl of Harewood
David Lascelles was educated at Westminster School and Bristol University, where he abandoned his drama degree halfway through for more practical experience of the film and television business. But he always says the six months he spent in India between school and university was the most educational of his life. He worked as a film producer for more than 20 years, initially of documentaries, both broadcast and non-broadcast, then of drama for TV and the cinema. His credits include Inspector Morse, Moll Flanders and Second Sight for TV, and for the cinema The Wedding Gift (with Julie Walters and Jim Broadbent), The Wisdom of Crocodiles (with Jude Law) and the movie of Shakespeare’s Richard III starring Ian McKellen. Many of these productions received nominations and Inspector Morse won both a BAFTA and a Royal Television Society award for Best Drama Series under his watch.
David is deeply involved in Yorkshire’s cultural life. He chaired the Year of Photography in 1998 and sits or has sat on various boards, including that of Welcome to Yorkshire when they brought the Grand Départ of the Tour de France to the county in 2014. He chaired the 100 day Yorkshire Festival which lead up to the race itself and its follow-up two years later, bringing performers from all over the world to perform across the county. He is a patron of the Yorkshire Film Archive, Leeds West Indian Centre and Yorkshire County Cricket Club among others and in 2019 became Honorary President of Leeds United.
He has been chairman of Harewood House Trust for many years. In 2007 he produced the late Geraldine Connor’s theatrical spectacular, Carnival Messiah (Handel’s Messiah performed Caribbean Carnival style), in the Grounds as part of the commemoration of the Abolition of the Slave Trade in the British Empire. He was also executive producer of the film of the show, released in 2017. Since Geraldine’s death in 2011 he has helped establish a foundation in her name, to encourage young people from a range of backgrounds with a talent in the performing arts.
David’s other great love is for the Himalayas, where he has travelled extensively. He is chairman of the Orient Foundation for Culture & the Arts, who have worked for over 30 years to help preserve Tibetan culture. In 2004/5 he invited a group of monks from Bhutan to build a stupa at Harewood. His book about the experience, A Hare-Marked Moon, is published by Unbound and will be available in Spring 2021.
On the death of his father in the summer of 2011 he became the 8th Earl of Harewood.
Iwona Blazwick is Director of the Whitechapel Gallery, London and is a curator, critic and lecturer. She was formerly at Tate Modern and London’s Institute of Contemporary Arts, as well as working as an independent curator in Europe and Japan. She has curated numerous solo and group exhibitions and commissioned new works of art within and outside the museum. Blazwick has also curated outdoor projects in Europe and the UK and is an advisor to the Fourth Plinth and Sculpture in the City projects in London.
Blazwick is series editor of Whitechapel Gallery/MIT Documents of Contemporary Art. She has written monographs and articles on many contemporary artists and published extensively on themes and movements in modern and contemporary art, exhibition histories and art institutions.
Chair, Finances & General Purposes Committee
Jeremy Burton was born in Leeds and has lived most of his life in West Yorkshire. For many years he worked in his family menswear business in a number of roles. He is a Deputy Lieutenant of West Yorkshire High Sheriff of West Yorkshire in 2009/10. Jeremy has been Honorary Consul of France in Leeds for over thirty years. He has been involved with a number of charities, both locally and nationally, and is currently President of Leeds Civic Trust.
Chair, Audit Committee
Countess of Harewood
Diane Howse is an artist who also has extensive experience of developing a wide range of projects as a curator and gallerist. Her first role, shortly after graduating from art college, was as Gallery Co-ordinator at the then newly opened artist-led Spacex Gallery in Exeter in the early 1980s. She later went on to become Gallery Manager at the also newly opened Watershed in Bristol which, based in a large dockside warehouse, was at the time a major national centre for photography and film.
In 1989 she founded the Harewood Contemporary programme and opened the Terrace Gallery in Harewood House, the first designated contemporary art gallery to open in an English country house. Harewood Contemporary continues the Lascelles family’s historic commitment to commissioning new work and supporting creativity, showing emerging and established artists and makers alongside Harewood’s collections. She has continued to work closely with Harewood’s curatorial team in developing a changing programme of exhibitions and projects in Harewood House, gardens and landscape.
In 2005 she curated and produced Appearance, a large scale pop-up exhibition over the entire disused ground floor of an apartment block in Leeds city centre. In the following year this led to her, together with Kerry Harker and Pippa Hale, founding PSL (Project Space Leeds) and presenting an ongoing programme of exhibitions and projects in this same space until 2012. Over this time PSL gained support and regular funding becoming an ACE National Portfolio Organisation and in 2012 moved to its new home The Tetley.
She is actively engaged with the arts nationally and specifically in Yorkshire. She is Chair and was one of the key founders of the Geraldine Connor Foundation, Trustee of the Hepworth Wakefield, Patron of SI Leeds Literary Prize and Patron of the Yorkshire Gardens Trust amongst others.
As an artist her work has been shown in many exhibitions and is in a number of public and private collections. She has also worked collaboratively with other artists and curators on a wide range of different projects and often seeks unusual or unconventional spaces to show her own and other artists’ work. In 2019 she set up her own company Lawn, based at Harewood Yard, to further develop these activities. Mostly recently her paintings and drawings were included in Psychotropics curated by Iwona Blazwick at the New Art Centre, Roche Court.
Following the death of her father-in-law in 2011, she became Countess of Harewood. She has been a trustee of the Harewood House Trust since 1990.
Emily Shard (née Lascelles) has worked internationally with diverse, creative and operational teams to deliver projects and content of the highest quality. She prides herself on collaboration, bringing teams together, managing budgets and logistics to keep projects on track and tell a good story. A passionate supporter of culture, the arts, theatre and storytelling – we can illuminate the world, help people connect and care through good stories.
Emily started her career in Feature Films straight out of university, working her way up through the production department. She increasingly worked internationally on blockbuster and Oscar-winning films including Harry Potter, the Lord of the Rings trilogy, Cold Mountain and Syriana.
Keen to return to the UK, she spent a period in television documentaries and post production, finding a niche working as a Production Manager for Silverback Films on their Natural History Feature films. Recent releases have included Ed Helms Penguins, Natalie Portmans Dolphin Reef and Megan Markels Elephant, all now showing on Disney+. Also at Silverback she has worked with WWF on a number of film projects linked to the award winning David Attenborough series Our Planet on Netflix. This has included Our Planet Our Business.
Her diverse experience has broadened her capabilities in negotiations, budgeting and financial management facilities management, project delivery, relationship management with stakeholder and suppliers, event management, HR (including pensions and GDPR), logistics and carbon literacy.
When not at Harewood, Emily can be found living and working in Bristol with Husband Matthew Shard and children Ida, Isaac and Otis. Also finding time to walk long distances for charity; including completing a 100Km route over two days through the Cotswolds. Other activities include Dragon Boat Racing for the Rotary club and Deadlifting 60kg.
Rachel Mappleback is a cultural communications specialist focused on building audiences, brand and profile for arts organisations. She is Director of Communications at Art Fund, the national charity for art, which inspires everyone to access art and culture, and also drives awareness of its nationwide charitable programme. At Art Fund Rachel oversees digital, content, media relations, public affairs, Art Quarterly magazine and Art Fund Museum of the Year.
She was previously head of communications at the Whitechapel Gallery, where she helped double visitor figures, develop the brand and expand the gallery, and has also previously led campaigns for the Jerwood Painting Prize, Jerwood Sculpture Prize, the Affordable Art Fair and the Chelsea Art & Antiques Fair. Rachel is also a trustee for Gasworks gallery and studios, a public arts organisation with a global network.
Andrea Nixon is a director and consultant with a track record in change management, partnership programming, business development and fundraising. Appointed Executive Director of Tate Liverpool in 2006, she led the management and development of the gallery until May 2018. She has national board experience at Arts Council England (North), the Crafts Council and The Audience Agency, as well as serving on the Visitor Economy Board for the City Region LEP from 2011–18. Prior to moving to Liverpool, Andrea was Director of Development for the Tate in London from 1998–2006, playing a key role in the creation of both Tate Modern and Tate Britain.
As an independent consultant and as an associate with Counterculture and People Make it Work consultancies she works with a range of clients on strategic cultural planning and placemaking, including Liverpool City Council, the Old Vic Theatre, Marketing Cheshire, The Box Plymouth, Tees Valley Combined Authority, English National Ballet, Turner Contemporary, St Helens Council, Middlesbrough Cultural Partnership and National Museums Liverpool.
Andrea is currently Chair of the V&A Dundee Advisory Council, Chair of the Liverpool Everyman and Playhouse Theatres and a Trustee of Harewood House Trust. She was awarded the MBE for services to the arts in 2019.
Nima Poovaya-Smith is a curator, writer and speaker. As founding Director of Alchemy until 2018, she has undertaken a number of major artistic programmes in partnership with cultural, academic and public sectors. She was previously Head of Special Projects, National Media Museum, Bradford; Director of Arts, Arts Council England (Yorkshire); and Senior Curator at Bradford Galleries and Museums. She has contributed to numerous international and national publications including books and journals on subjects ranging from contemporary art, Indian jewellery, textiles, and curatorial practice.
Nima is Senior Visiting Research Fellow at the School of Fine Arts, History of Art and Cultural Studies at the University of Leeds. She is a Trustee of Harewood House Trust and a patron of The Leeds Library. Along with six other women collectors, her role in building up the South Asian Collections for Bradford Museums and Galleries was celebrated in an exhibition: Unbound: Visionary Women Collecting Textiles at 2 Temple Place, London.
Nima was awarded an OBE in 2016 in the Queen’s Birthday Lists for her services to arts and museums.
Chair, Collections Committee
Charles Sebag-Montefiore is a Trustee of the National Gallery, the Harewood House Trust and is Honorary Treasurer of several other charities devoted to fine and applied art, museums and art galleries, books, libraries and conservation.
He is the joint author of The British as Art Collectors: from the Tudors to the Present (Scala 2012), a survey on collecting in Great Britain over 500 years. His book on A Dynasty of Dealers: John Smith and Successors 1801–1924 (Roxburghe Club 2013), is a study of the art market in 19th-century London for high-end Dutch and Flemish pictures, told through a collection of 564 unpublished letters between significant collectors and a leading dealer of the day. He is also the joint editor of Brooks’s 1764–2014: The Story of a Whig Club (2013), and is currently working on a Dictionary of British Art Collectors, 1600–1939.
A Chartered Accountant, he retired in December 2012 from a lifetime working in the corporate advisory and fund management sectors in the City of London, but has spent almost 50 years creating a library devoted to the study of the British as art collectors and to the provenance of paintings.
He was a Trustee of the Art Fund for eleven years (2000–11), of the Samuel Courtauld Trust for 15 years (1992–2007) and of The Wordsworth Trust in Grasmere for five years (2013–18).
Jane Marriott is the Director of Harewood House Trust, tasked with the management and leadership of the educational charity responsible for the beautiful 18th-century House and Grounds open to the public. Harewood is one of ten Treasure Houses of England and an Arts Council England accredited museum, with a Designated Collection of Art and Furniture of outstanding quality. This is coupled with a rare and endangered living Bird Collection in the Lakeside Gardens and Grade I listed landscape.
The Trust’s role is to make Heritage relevant. Since Jane’s arrival in February 2017, the team has introduced a number of projects, to support the Trust’s growth and ambition, to share these wonderful resources and grow a vital Membership community. Amongst these, a new programme of exhibitions has been launched, including the inaugral Harewood Biennial Useful/Beautiful: Why Craft Matters and a new learning space; the Curiousity Cabin. Harewood also opened its doors for Christmas for the first time in years and a new chain ferry was launched to increase access to the Walled Garden across the lake.
Prior to this, Jane was the Managing Director of Yorkshire’s award-winning Hepworth Wakefield’s gallery, tasked to realise and develop their ambitious artistic, commercial and capital plans. Jane was the driving force behind the launch of a major new Hepworth Gallery Garden designed by Tom Stuart Smith; she significantly increased visitor numbers to the Gallery and introduced a new public events programme and projects such as The Hepworth Prize for Sculpture.
Jane also spent many years in London, latterly as the Director of Development and Director of the Royal Academy Trust at the Royal Academy of Arts (RA), where she doubled the annual fundraising contribution and raised over £37million for one of the most significant capital campaigns in the Academy’s history with David Chipperfield RA. She also directed the opening of the Keeper’s House, launched the RA’s international strategy in South East Asia and ran the RA office in New York.
Jane has worked within the arts sector for over 20 years, including the highly successful opening of Tate Modern and working with clients ranging from the British Museum, National Gallery and National Theatre as a consultant at Kallaway. Prior to that she spent many years in arts marketing, working for leading publishers John Wiley & Sons.
A History of Art graduate, a qualified arts marketer, and a Fellow of the RSA, Jane is a regular speaker at conferences and has been a Trustee of The Reading Agency and Scarabeus. She is currently a Trustee of The Hepworth Wakefield Garden Board.