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Open History at Harewood

As we prepare to launch our inaugural Craft Spotlight this Saturday 26 June 2021, Hannah Obee, Director of Collections, Programming and Learning, takes us through why Craft Spotlight was created, our Open History programme and Harewood’s commitment to being open and honest about its past.

Black Lives Matter. We knew this, we agreed and we felt we were addressing this, promoting diversity and inclusion through our exhibition and learning programmes. Then on 25 May 2020, George Floyd was murdered on a street in Minneapolis. Suddenly the lens we looked at the world through fractured with a brutal reminder of the vast spectrum of challenges faced by Black people.

While Harewood has repeatedly been committed to addressing its past, opening debate into our roots in the Atlantic Slave Trade, culminating in a year-long programme of events to mark the Bicentenary of the Abolition of Slavery in 2007 and giving emerging artists a platform, by commissioning artists of diverse heritage, from Sonia Boyce to Rommi Smith; the momentum of the BLM movement last May stopped us in our tracks and made us reassess our contribution.

Artist Chris Day in his workshop

Craft Spotlight : Chris Day

During our 2019 Harewood Craft Biennial, I read a report that 96% of professional, full-time crafts people identified as White British. We had already decided this lack of diversity would be a key subject for discussion in the next Harewood Biennial. What we needed though was a consistent response to this lack of racial equality in the Craft world, so we developed Craft Spotlight. This provides funding and a platform for an emerging maker of diverse ethnicity to showcase their work, promoting Craft to people of diverse heritage and ensuring their voices are represented at Harewood. The inaugural display opens 26 June 2021 in All Saints Church at Harewood and features the work of emerging glassblower, Chris Day. His research into Black history and his personal experience made him want to create work that started challenging conversations around Black history including the Transatlantic Slave Trade. His aim is to inspire more Black glassblowers through his own work. Craft Spotlight will continue to be staged in the years between the Biennial.

Photograph of George Bertie Robinson

George ‘Bertie’ Robinson

This year we also begin an annual series that will celebrate and share the often-untold stories of people of African descent with Yorkshire connections throughout history. For 2021, we have teamed up with Leeds-based DSRG (the Diasporian Stories Research Group) to bring to life Bertie Robinson: The Footman from St Vincent (17 May – 31 October).  George ‘Bertie’ Robinson travelled with the 5th Earl and Countess from the West Indies to Leeds in 1893 aged 13. Harewood’s first black member of staff, his personal story is extraordinary and compelling. Yet it also lays bare the impact of colonialism in the West Indies post-slavery and attitudes to race in Britain in the early 20th century. These led to him losing his job after nearly 30 years of working for the Lascelles family. New discoveries made while researching the exhibition are included in the display on the State Floor. Our Assistant Curator and Archivist, Rebecca Burton, uncovered letters from his mother Amelia Robinson to the 5th Countess of Harewood while an email to DSRG answered some long-asked questions of what happened after Bertie was sacked. We are very grateful to the Wray family for allowing us to share their story.

 

Two actors in victorian costume reading and looking at books in a library

A Storm at Harewood with Heritage Corner

Finally for 2021, Heritage Corner brings its unique brand of insightful Black History Walks to Harewood in A Storm at Harewood on selected dates between 12 June and 14 August. Following the success of their regular events in Leeds City Centre, Joe Williams and Vanessa Mudd take Pablo Fanque’s Circus Royal performance at Harewood in 1847 as a jumping off point to explore African and West Indian connections to Harewood in an imaginative, fun and family-friendly guided walk of the House and Grounds.  Exploring 2,000 years of African presence in Yorkshire, the walk will provide a greater understanding of Africa’s rich history and contribution to the region.

Mental Health First Aiders at Harewood

We all have mental health and, just like our physical health, it needs looking after to ensure we stay well.

In February 2021, two employees at Harewood became Mental Health Champions. The aim was to raise awareness of mental health and wellbeing among staff, to challenge the stigma around mental ill health, and provide peer support to colleagues.

The current statistics in the UK show that one in four people will experience mental ill health in any given year (leedsmind.org.uk). Between one in five and one in six working age adults are depressed, anxious or experiencing stress-related issues at any one time (MHFA, 2016). This demonstrates the growing need for employers to support mental health and wellbeing, just like physical health, to empower employees to thrive.

 

Our Mental Health Champions recently completed training to become Mental Health First Aiders in a two-day course run by Leeds Mind. The course gave our First Aiders an in-depth understanding of mental health and the factors that can affect wellbeing, as well as the practical skills to spot the triggers and signs of mental ill health.

 

Jake Fireman, Visitor Experience Team Member and Mental Health Champion comments:

Learning about mental health first aid was a fascinating and often intense experience. It was very interesting to find out about how a mental health first aid situation can be approached and managed safely and properly in much the same way a physical first aid incident can be. The skills and knowledge I have acquired have greatly increased my confidence in handling and understanding any manner of mental health crisis, big or small, and I am proud to be a Mental Health Champion here at Harewood.

 

Emily Long, Visitor Experience Manager and Mental Health Champion comments:

Becoming a Mental Health First Aider has been invaluable for me as a line manager to reassure and support staff. It has enhanced my interpersonal skills such as non-judgemental listening and has given me the knowledge to help someone recover their health by guiding them to further support – whether that’s self-help resources, through our Employee Assistance Programme, the NHS, or a mix.

 

 

Follow Harewood on social media @harewoodhouse

Find out more about Leeds Mind>>>

 

Harewood House & Geraldine Connor Foundation selected as partners for new youth programme

Harewood is delighted to have been selected in partnership with The Geraldine Connor Foundation as a Key partner for ‘Where we Are…’ a new national programme for young people by The British Museum.

Organised by the British Museum, and supported by the Paul Hamlyn Foundation, projects will be led by and co-produced with young people. The open and collaborative nature of these projects will enable creative and unconstrained approaches towards the idea of arts and culture. With direct input from young people aged 16–24, these bespoke projects will develop and evolve in response to a need in the local community. The Key Partner organisations involved span from a museum to historic house and art gallery and will support under-served young people to produce diverse and unique projects with their charity counterparts. These third sector bodies have missions ranging from a focus on young carers, a nurturing of new talent and the provision of music and arts education.

Harewood House Trust and the Geraldine Connor Foundation will work on a project with the idea that Harewood House acts as ‘My House’ – a place belonging to everyone individually. Young people will form a creative response to any aspect of the house, its landscape its collections and its history, including exploring decolonisation narratives and varying ways to present history.

Selina McGonagle, Director at Geraldine Connor Foundation said: “The Geraldine Connor Foundation is thrilled to have been selected to be part of the Where we are… programme. This co-produced project will be an opportunity for young people to explore the history of Harewood House creatively in their own way, giving them the freedom to express what the house means to them today.”

Jane Marriott, Trust Director at Harewood House said: “Since 2012 Geraldine Connor Foundation and Harewood House have worked closely on creative projects for young people across Leeds and the wider area. We do this in order to lift up marginalised voices and promote equality, diversity and inclusion. We use our programme to engage our audiences with the urgent issues of our time. It is therefore wonderful to have this commitment recognised by the British Museum and to be a partner in the Where we are… programme, offering underrepresented young groups the opportunity to address issues such as this across the UK today.”

FIND OUT MORE 
The British Museum – Where We Are …
The Geraldine Connor Foundation 
Follow Harewood on social media @HarewoodHouse

It’s good to be back! Harewood Food & Drink Project return to the Courtyard Café

“The last twelve months have left us all a little battered and bruised but so thankful and humbled by the incredible support you’ve shown us”

In advance of Harewood Food and Drink Project returning to the Courtyard Cafe on 29 March, Eddy Lascelles reflects on the past twelve months in the latest HF&DP blog. 

I began writing this on 21 March,  which is a year to the day that we took on the running of the catering on behalf of Harewood House Trust at the Courtyard Cafe and the Terrace Tearoom. You could say that things haven’t quite gone according to plan.

The last twelve months have left us all a little battered and bruised but so thankful and humbled by the incredible support you’ve shown us, a huge thank you from all the team here. We’ve never felt more excited and motivated for the future, and we think you should be too.

We’ve had more openings, closures, cans and cannots than we can count, at times it’s been tough, but hopefully the end is now in sight.

As spring is sprung there’s plenty to look forward to. The landscape starts to show signs of life having laid dormant over the Winter months.

 

Spring at Harewood  – Brighter Times on the Horizon

The first daffodils of the year are always cause for celebration and optimism for the year ahead, as well creating a beautiful display all around the Estate. The Cherry Blossom will soon burst in to life, a stunning spectacle which takes on spiritual connotations in Japan.

All in all, there’s plenty to be optimistic about :

  • Muddy Boots Café is open again and running a specials board with some great dishes cooked by chefs Iain and Callum.
  • The Courtyard Café reopens for takeaways on the 29th March. Keep reading for what to expect.
  • We’ll announce plans for reopening the Terrace Tearoom in due course.
  • We’ll soon be announcing a series of exciting events we’re working on. Keep your eyes peeled for updates, or sign up to our mailing list. These are not to be missed.

If you’re visiting the Courtyard Café, expect a variety of seasonal hot and cold savoury and sweet dishes made by our team of chefs and local independent artisan suppliers.

Hebridean Black Sheep


It’s difficult to talk about Spring at Harewood without talking about Harewood Lamb. Or, in this case Hebridean Hogget.

Visitors to Harewood will probably have seen the flock of Hebridean Black Sheep grazing much of the year on the South Front, between the House and the Lake. In the next few weeks you’ll start to see adorable little black lambs appearing amongst the flock.

As the name suggests, the “Hebs” are indigenous to the island of St Kilda in the Outer Hebrides. They were brought here by the 5th Earl in the 1880’s after he’d seen them visiting friends in Northumberland. They’ve settled in well and have been a feature on the landscape ever since. If they’re younger than one-year they’re classed as Lamb and older than two years is known as Mutton.

Harewood at Home // Easter Special


Hebridean Hogget will be the main feature for our upcoming Harewood at Home // Easter Special. Harewood at Home is our premium takeout offering which has proven to be so successful throughout the last two lockdowns. Expect a decadent three course meal prepared by Josh. His menu sees a twist on familiar Easter classics such as Hot Cross Buns, Spring Lamb, Easter (Duck) Eggs and, of course, Chocolate.

The menu heavily features Harewood produce throughout the menu, from the land, from the farm and from the gardens. Great food, you can feel good about! The “Hebs” will also feature in our Harewood Spring Lamb Stew served with Wild Garlic Dumplings, available from the Courtyard Café, which is another thing that’s abundant around the Estate for the next couple of months.

Go to the link at the bottom of the page to see the full menu and booking details.

The Next Generation 

This week marked another milestone for HF & DP as we presented our first ever apprentice, Callum, with the certificate of his apprenticeship. He passed with a distinction – here’s Callum being presented with his certificate by Eddy, Josh and Fliss.

When we set up HF & DP, we wanted to create an environment where the next generation could learn and develop. Seeing Callum develop both professionally and personally is something we’re extremely proud of.

Since joining us almost three years ago, Callum’s become an integral part of our team, Josh Whitehead’s sidekick, a Muddy Boots maestro and you’ll find him regularly let loose running the pots and pans at Muddy Boots Bistro evenings.

Developing the stars of tomorrow is key to HF & DP’s mission, so to see Callum’s development is a real privilege. Following hot in his footsteps we’ve taken on three new apprentices, one in the kitchen and two front of house: We’re sure that Jasmine, Annabelle and James will prove to be equally as successful in their careers.

With talents like these, the future of the industry is in good hands.

Welcome back to the Courtyard Café

Harewood Spring Lamb Stew with Wild Garlic Dumplings, available at the Courtyard Cafe

We’re delighted to be back running the Courtyard Café and there’s plenty to enjoy on our new menus, as well as classic favourites. As well as the Harewood Spring Lamb Stew served with Wild Garlic Dumplings, you can expect the return of our fish and chips with a difference, a Northern Monk Ale Battered Haddock with Skin on Chips, Minted Mushy Peas and Home-Made Tartar Sauce. It developed an almost cult following last year. We source all our fish from the brilliant Tarbetts Fishmongers, based in nearby Chapel Allerton, a must visit if you’re looking for great fresh fish.

The legendary Courtyard Café Fish and Chips

For those with a sweet tooth, you’ll find a range of bakes, cakes and brownies made by local artisan bakers Bakeri Baltzersens and Jodie Bakes – we highly recommend the Cruffin, a hybrid between a croissant and a muffin. Yes, it is as good as it sounds.

Have you tried the Cruffins from Bakeri Baltzersens? They are as good as they look.

For coffee lovers, expect the best, made by local independent roastery North Star Coffee.

It’s good to be back, we can’t wait to welcome you to Harewood again.

 

 

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Restoring the Terrace for years to come

‘You are often dealing with an element of the unknown … there may be structural issues that tell an important part of the Terrace story.’

Over the last year, visitors will have noticed barriers surrounding areas of the Terrace – this was due to the deterioration of the historic balustrade, which was no longer deemed safe for visitors. 

Built in the 1840s by Sir Charles Barry, best known as the architect of the Houses of Parliament in London, the Italianate Terrace is the largest of his projects at Harewood, which also included major alterations and improvements to the house itself, all commissioned by Louisa, Third Countess of Harewood, whose portrait hangs in the Dining Room.

Louisa, 3rd Countess of Harewood standing on the Terrace. George Richmond, c.1855.

Historic England’s Emergency Heritage fund

The work to repair the balustrade and ensure its safety  was stalled due to the pandemic, the closure of the site for three months and the subsequent loss of income. Following our reopening in the summer, as part of a joint application with four other Treasure Houses of England, we were delighted to receive a significant grant from Historic England as part of their Covid-19 Emergency Heritage at Risk Response Fund, meaning the work could begin again.

From November onwards, the Dobsons team have been working hard to restore the balustrade to its former glory. The main tasks included the strengthening and damp proofing of the undercroft rooms that sit below the Parterre, as well as replacing a number of the carved stone ‘bottles’ along the balustrade itself.

No simple task

Work such as this is no simple task, and a team from Pearce Bottomley Architects were brought in as specialist conservation advisors on the South Terrace repair works, which involved reviewing the work carried out by the project team and providing specialist advice and recommendations.

‘We discovered a lead lining to the brick vaults which was presumably installed by the Victorians’

“When working on historic buildings you are often dealing with an element of the unknown. There may be structural issues that are not apparent until the opening up works start or even hidden archaeology that can reveal itself throughout the project. During the opening up works on the South Terrace we discovered a lead lining to the brick vaults which was presumably installed by the Victorians to act as waterproof membrane. This is an unusual and unique technique which we felt told an important part of the Terrace story. Therefore the lead lining remained in situ and we carefully placed a new modern waterproof membrane on top to redirect the water which was leaching into the brick vaults.”

 

The South Terrace Undercroft and the lead lined vaults. Photo credit PB Architects.

 

Some of the decayed bottles on the balustrade. Photo credit PB Architects.

 

 

 

 

 

 

 

Along the balustrade, several bottles needed to be replaced, ensuring the historical accuracy of the replaced bottles, whilst also ensuring their longevity. To do so, one of the existing stone bottles was carefully removed from the balustrade, taken to M&G stone workshops based in Keighley where it was used to create a template for the new ones. New stone, sourced from a local quarry at Leeming in Clitheroe, was selected due to its similar colouring and properties to the historic stone. When the work was being done, it became clear that there had been a number of replacements over the years, in different materials including some concrete bottles inserted in the 1960s.

Protecting it from the Yorkshire weather

The South Terrace is of course exposed to all sorts of Yorkshire weather, and as PBA explains, “’to ensure longevity it is important to consider the compatibility of materials, for example the lime mortar used must be more porous than the stone. The mortar acts as a sacrificial layer and draws moisture through it via capillary action so the stone remains as dry as possible. Water is the biggest enemy in terms of stone deterioration, so making sure the stone is protected by drip mouldings and repairing these if they are damaged to ensure water is directed away from the stonework’.”.

The work has now been completed and visitors can once again enjoy walking along the balustrade and taking in the stunning Capability Brown landscapes. Why not also see if you can spot which bottles are new on your next visit ? 

The finished balustrade.

 

Special thanks to Pearce Bottomley Architects for their work and contribution to this blog and Dobsons Construction Ltd for undertaking the restoration work. 

 

The Terrace Balustrade Restoration was funded by Historic England and DCMS as part of their Programmes of Major Works grants and we are incredibly grateful to DCMS and Historic England for generously supporting this as part of the Culture Recovery Fund.