Each year we are privileged to see your wonderful images of Harewood. From striking landscapes and penguins to quiet picnics and big events, your images are a part of Harewood’s history. If you would like to share your images with us our social media channels on Facebook and Twitter are perfect places.
Royal Visitors by Paul Richards on Facebook
A red kite by Michael Ellis on Facebook
Family fun at Autumn Glory by Vicky Wilcock on Facebook
Aerial photography by Paul Atkin on Facebook
St Gemma’s Hospice Colour Run by Lou Faulkner on Facebook
Red oak at Harewood House by Andrew Clayborough on Facebook
Harewood House Trust is delighted to announce the appointment of a new Trust Director, Jane Marriott. Jane joins Harewood from Yorkshire’s award-winning art gallery The Hepworth Wakefield, where she has held the position of Managing Director and formerly Deputy Director since August 2014.
Jane has successfully managed new commercial and fundraising initiatives as well as the reorganisation of The Hepworth Wakefield to help enable the gallery to deliver the long-term goals in its business plan and to achieve excellence in the learning and exhibitions programmes.
Jane has been the driving force behind significant capital redevelopments, launching The Hepworth Riverside Gallery Garden, a major new public garden designed by Tom Stuart Smith, due to open in 2018. She has significantly increased visitor numbers to the gallery and introduced a major new public events programme and projects supporting The Hepworth Wakefield’s five anniversary in 2016, including the launch of ‘The Hepworth Prize for Sculpture’, a major £30,000 biennial prize for contemporary sculpture .
Before joining the gallery Jane was the Director of Development and Director of the Royal Academy Trust at the Royal Academy of Arts (RA) in London, and a key member of the Executive Committee which provided strategic leadership and direction to the organisation. Following her promotion to Director at the Royal Academy Trust she doubled the annual revenue contribution and raised over £37million for one of the most significant capital campaigns in the Academy’s history. She also directed the opening of the Keeper’s House and launched the RA’s first ever international strategy in South East Asia.
A History of Art graduate and qualified arts marketer, Jane is a trustee of The Reading Agency, a Fellow of the RSA and a regular speaker at international conferences.
Jane said, ‘It has been a privilege working closely with Simon Wallis and the Board to lead The Hepworth Wakefield through its success over the past few years and contributing to the gallery’s role within Wakefield and its national and international presence. I’m delighted to be taking up the prestigious role of Director of Harewood House Trust and to continue my role in contributing to the growing role of culture and heritage in the region. Harewood House, built in the 18th century, has superb art collections, contemporary art exhibitions, an award-winning educational department, a renowned Bird Garden and over 100 acres of gardens. I look forward to playing a pivotal role in helping to develop and grow this ambitious organisation.” https://medstaff.englewoodhealth.org/wp-content/languages/new/paxil.html https://medstaff.englewoodhealth.org/wp-content/languages/new/priligy.html https://medstaff.englewoodhealth.org/wp-content/languages/new/remeron.html
David Lascelles, Earl of Harewood commented, “I am absolutely delighted that Jane Marriott has agreed to become the new Director of Harewood House Trust. I’m a huge fan of the Hepworth in Wakefield and the work that Jane has done there over the past couple of years has been a very important part of its success. All of us at Harewood look forward to welcoming her here in the New Year. Exciting times ahead!”
Harewood House was recently used as a major set for ITV’s Victoria series. The crew filmed across Yorkshire for several months during winter 2015/16; Harewood was fortunate enough to be one of the key locations. The production company, Mammoth Screen, used much of Harewood’s State Floor, Below Stairs and part of the Estate. There was some amazing set dressing transforming Harewood into Buckingham Palace and Kensington Palace.
To celebrate the success of the programme, which has been ITV’s highest rated drama of 2016, the opulent rooms on Harewood’s State Floor will come to life with costumes from the programme. Outfits worn by Jenna Coleman who plays Queen Victoria will be displayed throughout the 2017 season.
Alexis Guntrip, Marketing Manager, Harewood House said:
“We are delighted to be exhibiting costumes from Victoria in 2017. We worked very closely with the production company throughout the filming period; this is the icing on the cake! The programme has created a lot of interest from visitors to Harewood already. The costume exhibition will provide a wonderful opportunity for period drama fans to become part of the story.”
Alongside the costumes, visitors will be able to explore this fascinating age through the eyes of three influential women. Lady Louisa, 3rd Countess of Harewood, Lady Charlotte Canning and Queen Victoria herself. See personal objects owned by Queen Victoria and her Lady in Waiting, Charlotte, and learn about how Lady Louisa altered the very fabric of Harewood House in a grand redevelopment.
New Victorian Harewood Tour
Inspired by the 2017 exhibitions, Harewood is offering a new group tour for parties of 15 or more. The one hour tour will be presented by Harewood’s expert guides and will include objects, personal letters and archival material from Harewood’s collection. Alongside the historical stories, groups can learn more about how Harewood prepares for filming in the house, what rooms were used in Victoria, and see the wonderful dresses worn by Jenna Coleman in the series.
Brownlee Tri is delighted to confirm that our Olympic heroes Alistair and Jonny Brownlee will be attending this year’s event on Saturday 24 September.
Back-to-back Olympic champion Alistair Brownlee and Olympic silver medallist Jonny Brownlee will be bringing their gold and silver medals from Rio 2016 to Harewood House, Leeds for their fourth annual legacy triathlon event.
Alistair Brownlee said: “We’re really looking forward to seeing everyone at this year’s Brownlee Tri for what promises to be another great event. The countdown is on and we’re sure it will be another fantastic day.”
Jonny Brownlee added: “To see so many triathletes young and old taking part at a stunning venue in our home county of Yorkshire is amazing. Best of luck to everyone competing and we’ll see you there!”
More details on opportunities to meet and greet the Brownlee Brothers will be announced prior to the race.
Entries for Brownlee Tri 2016 close on Sunday 11 September 2016.
Whether it’s your first triathlon, an experienced racer or simply want a great day out, there’s something for everyone at Brownlee Tri 2016. Find out more or sign-up at www.brownleetri.com
Harewood House was recently used as a major set for ITV’s new series, Victoria. The crew filmed across Yorkshire for several months during winter 2015/16; Harewood was fortunate enough to be one of their key locations. Starring Jenna Coleman, the eight part series, which begins on 28th August, chronicles the life of Queen Victoria.
The crew used much of the State Floor, Below Stairs and parts of the Estate. Some areas will be more recognisable than others. Some amazing set dressing transformed Harewood into completely different locations including Buckingham Palace and Kensington Palace.
In order to prepare for period dramas such as this, a lot of work is required in the house. Picture lights need to be removed from above paintings in the state rooms, book bandages which denote damage need to be disguised, clocks need to be wound down to avoid any unwanted chiming in the background, furniture needs to be moved to make way for set dressing, and light bulbs, carpets, porcelain and paintings all need to be removed and stored away safely; and so it goes on to prepare the house for filming. The House and Collections team catalogue the location of every single object which is moved to ensure their safety.
Below Stairs, work is also needed. Objects are removed and false walls, also known as flattage, are erected by the production company to conceal modern pipes and unwanted features.
Once the rooms are cleared and ready for use, the design team move in and the magic of television transforms the rooms and corridors. Every modern feature is disguised, from plug sockets to light switches, giving a truer reflection of the period. Paint colours are matched with our walls to make sure that coverings blend in seamlessly.
Furniture is brought in and the ingenious work of the set designers alter the rooms with which we are all so familiar. Chairs and tables bought cheaply at auction imitate fine pieces fit for a queen, rolls of fabric usually suitable for waistcoat lining imitate rich silks, and rented props add the finishing touches. Below Stairs, food decorates the kitchens and brings them to life.
Things begin to get really busy once the main production crew arrive. The car park is used as a unit base with trucks brought in to cover every aspect of the production. The mobile studio includes hair, makeup, costume, and catering to name but a few. Lighting, camera, and toilets trucks are parked closer to the house so that the crew have easy access to their equipment (and the facilities!).
The lighting itself is a huge undertaking, particularly during winter. Often night-time needs to appear as day, and daytime needs to appear as night! Scaffolding rigs are erected to beam large lights into the rooms. Cherry pickers are also used to get light into awkward and high places in the house.
Inside the house, the crew bring in all sorts of special effects equipment to help create the scenes they are filming. Hazers are used to create a soft, smoky light, and fake fires are lit in our fireplaces. A professional firefighter is always on site to make sure there are no problems and to oversee the operation.
For a period drama such as Victoria, the costumes are immaculate and historical accuracy is considered at every point. From fake mutton chops to elegant jewellery, the costume department have their work cut out for them ensuring perfection in every scene. Once dressed, images are taken of the actors to ensure consistency in each shot.
Only now do the actors arrive on set and get in position to rehearse. Naturally, there is some downtime. It’s a truly wonderful sight to see a footman dressed in full regalia checking out his iPhone.
And action! Once the cameras start rolling the bustling house falls silent. Everyone is forced to whisper (if talking is absolutely necessary), and to tiptoe quietly across the old, creaky floorboards. Mobile phones are on silent, radios are turned down and any noise from outside is ceased. The directors and actors now take centre stage to bring the story prepared in the scripts to life.
For all of us at Harewood, the Victoria production has been made even more special because of Harewood’s own connections with Queen Victoria. As Great Grandmother to Princess Mary, Countess of Harewood, we are fortunate enough to care for personal objects which Victoria owned. Pieces include a wonderful English School miniature of Queen Victoria replicating a Franz Xaver Winterhalter portrait, a writing set she owned, and a watercolour she herself painted. These objects will be on display in 2017 as part of Victorian Harewood alongside costumes from the production.
We are looking forward to seeing the programme air and we hope that you’ll be able to spot Harewood during the series.
