Why isn’t the Ferry running?

Harewood’s Ferry made its maiden voyage in June 2018 and has carried thousands of Harewood visitors every week between the Bird Garden, Bothy and Walled Garden.
In May 2022, the water level in the Lake started to decrease due to low rainfall throughout winter and spring. In June the water level reached a point where the Ferry ran aground and could no longer run. The mud banking you can see around the Lake has not been seen since the Lake was last drained many decades ago.

When will it be operating again?

Unless the weather for the remaining half of the year features a consistent and heavy amount of rain, it is unlikely that the water level will reach a point where we can operate the Ferry again until 2023.
Harewood House Trust, the charity that looks after this site, and the Harewood Estate are working with the Environment Agency and Leeds City Council to ensure the health and wellbeing of Harewood’s wildlife that rely on the Lake. The Trust and Estate are also looking at the Lake’s infrastructure to help plan and mitigate against the impact of climate change, including prolonged periods of dry weather.

We apologise for any inconvenience this may cause.

Pih joins the Harewood House Trust executive team from Tate Liverpool. In this new role, he will lead the charity’s award-winning exhibition programme, and care for the museum’s outstanding collection of painting, decorative interiors, furniture and porcelain. His work will further Harewood’s purpose to make heritage relevant, using the collections and landscape to help shape a more sustainable world, unlock people’s creativity and enrich lives.

Over the past five years, Harewood has received universal recognition for its innovative programming including the Harewood Biennial alongside its new Craft Spotlight and Open History series addressing the urgent issues of our time from equality, diversity and inclusion, and social and environmental issues prevalent in society today. Darren has worked across exhibitions that have featured many of today’s leading artists, has toured major exhibitions for Tate Liverpool around the world, and has commissioned several new works. Most recently, his Radical Landscapes exhibition explores climate emergency, trespass and social and cultural change through a century of landscape art – an exhibition which shares Harewood’s values entirely.

With a history of collections care and producing exhibitions closely linked to Harewood’s programming ambitions, trustee of Harewood House Trust Iwona Blazwick OBE commented:

‘Pih’s deep engagement with modern and contemporary art will bring a dynamic new perspective to Harewood, connecting its distinguished history of arts patronage with the present. I can’t wait to see what his curatorial vision will contribute – not only to Harewood’s great legacy but the wider Yorkshire art scene’.

Since 2017, Harewood – which reached a record-breaking 250,000 visitors in 2021 – has been pushing the boundaries of its programming under the leadership of Jane Marriott, building on the Trust’s and the Lascelles’ commitment to acknowledging the estate’s colonial past for over 30 years, and exploring and provoking conversation around societal issues that affect us all. This commitment remains stronger than ever and is central to the Trust’s programming aims, the work of its staff and volunteers, and working with the communities in and around Leeds.

Trust Director Jane Marriott comments of Darren’s appointment:

‘I am delighted to welcome Darren as Harewood’s first Chief Curator and Artistic Director. This role epitomises our ambitions to reimagine the country house for the 21st century with bold, exciting and innovative programming. Darren brings a thoughtful approach and excellent track record, in combining the care of historic collections with the work of contemporary artists, in order to develop our ambitions as a charity and museum.’

Darren Pih’s first major exhibition under his curatorial lead will be Harewood’s second Craft Spotlight, to be announced later this year, and a Harewood ‘year of play’ to coincide with Leeds 2023 celebrations. On his appointment, he said:

‘I am delighted to be joining Harewood and contributing to its ambitions by leading its exhibitions programme. Harewood and its history make it a unique site for presenting art and ideas that engage with many of the most urgent issues of our time, including environmental responsibility, colonialism and social inclusion. It’s a fantastic opportunity to create new knowledge around its collections, by bringing contemporary and modern art into dialogue with the heritage and history of Harewood.’

Download the full press release including editor’s notes >> 

Revealed: Culture really is around every corner in Leeds

5 April 2022: Leeds’s cultural venues are uncovering culture like never before as they come together to celebrate the diverse offering of the city and encourage residents and visitors alike to join in with the cultural fun.

Named as the UK’s most vibrant city and placed in the top 100 places to visit in the world, Leeds will see its cultural institutions come together this spring as part of its Culture Around Every Corner campaign.

Home to over 40 cultural institutions representing the very best of culture in the UK, this campaign is led by Visit Leeds in collaboration with Culture Consortium Leeds (CCL) and other organisations such as Art Hostel, East Street Arts, Phoenix Dance Theatre and Chapel FM Arts Centre which together create the unique landscape of Leeds’ cultural scene.

An experience like no other, Leeds is a leading centre for culture, boasting a scene of international food & drink, street art, country house estates, ground-breaking new performances, legendary music festivals and shows and renowned global sport.

Revealing that culture is around every corner in Leeds, the destination management organisation for the city, Visit Leeds and all cultural partners have uncovered that visitors are never further than a 10 minute walk away from a cultural attraction in Leeds.

Highlighting the Leeds experience with the message that culture in Leeds is open, Culture Around Every Corner is challenging residents to explore and rekindle a love for the great culture that is on their doorstep, whilst visitors have an immense opportunity to try something new and uniquely ‘Leeds’.

Edward Appleyard, Director of Engagement at Harewood House Trust and Co-Chair of CCL’s Marketing and Communications group, commented:  “As a city that’s in demand, Culture Around Every Corner has been designed to bring the cultural venues of our city together and show visitors the breadth of cultural experiences there are to enjoy. We’re extremely excited for the launch and our venues working more closely than ever before to celebrate this incredible, culture-rich city.”

Hannah Hughes, Marketing and Communications Director at Leeds Playhouse and Co-Chair of CCL’s Marketing and Communications group also commented: “We’re delighted to be working with a variety of our cultural venues in the city and we can’t wait to reveal what Leeds has to offer as part of this campaign. There’s a real appetite for venues to work in collaboration with one another and support each other and this demonstrates how fantastic the Leeds cultural community is.”

This campaign comes on the back of two years of lockdowns, and the message is loud and clear – culture in Leeds is back for good.

Some of the cultural highlights for this season (April to June) include: The riotous Hedwig and the Angry Inch at Leeds Playhouse, directed by Jamie Fletcher and starring drag queen Davina De Campo in April; a solo exhibition of new work by Nigerian artist Bubu Ogisi at The Tetley; the Henry Moore Institute celebrates the UN Year of Glass with an exhibition of contemporary glass sculpture; Leeds Museums and Galleries host workshops, trails and activities alongside exhibitions including ‘Eileen Agar: Angel of Anarchy’; Opera North’s version of Wagner’s most mysterious drama Parsifal opens in June; Howard Assembly Rooms present the best in eclectic and international music every weekend and host musicians and singers from the asylum community for Refugee Week in June; Leeds Grand Theatre’s stellar line-up sees Broadway hit School of Rock, the National Theatre’s award-winning The Curious Incident of the Dog in the Night-time, plus a bit of razzle dazzle in Chicago. 

Outside the city centre Harewood House Biennial this year is Radical Acts: Why Craft Matters, an exhibition showcasing how small radical acts can have a massive impact on the world and Yorkshire Sculpture Park present David Nash: Full Circle until June.

And if you are looking for activities to entertain the family you can try: Family favourite The Gruffalo at Leeds Playhouse in April; Royal Armouries’ jousting tournaments and Medieval Easter with the chance to try some sword skills; Leeds Young Film Festival 2022 at the Carriageworks combining games with film screenings; explore dark and murky disease ridden streets, and ask ‘Can Robots Care?’ at the sometimes gruesome but always fascinating Thackray Museum of Medicine; and at the first direct Arena, The Masked Singer comes to the live stage plus a host of full-pelt live music and more.

Culture Around Every Corner precedes Leeds’ Year of Culture: Leeds 2023. Designed to ‘let culture loose’, Leeds 2023 will see 12 signature events alongside a multitude of creative experiences take place across the city in a celebration of all things culture. Made for everyone, local, national, and international artists and communities will be coming together to create a year-long celebration unique to Leeds. Gearing up to the Year of Culture, the Culture Around Every Corner campaign is just the start of what’s to come.

To find more about Culture Around Every Corner and to plan your next trip, visit www.visitleeds.co.uk/culture-around-every-corner

ENDS

For more information, please contact VisitLeeds@ilkagency.com

Notes to Editors:

Visit Leeds is the official Destination Management Organisation for the city of Leeds, which aims to showcase the breadth of cultural attractions, innovative food & drink destinations and extensive shopping facilities on offer in Leeds and its surrounding areas. Its vision is for the city to be known as a world-class, modern and historic European destination with a reputation for a vibrant and creative cultural scene set against the backdrop of rich heritage and outstanding architecture.

As the second largest metropolitan area and one of the fastest growing cities in the UK outside of London, Leeds attracted over 30 million visitors in 2019 from both the UK and abroad. Its location and exceptional national and international transport links make it the ideal getaway for a variety of visitors to the Yorkshire region and beyond.

Not only is Leeds one of the greenest cities in Europe, it also ranks as the third best shopping destination in the UK outside of London as breath-taking Victorian arcades sit alongside iconic luxury brands and well-known high street retailers.

Leeds is brimming with a wealth of culture, history and diversity, having been home to the UK’s first West Indian Carnival back in 1967. The city’s rich culture is also reflected in the plethora of live events. From world-class organisations; Opera North, Northern Ballet, to unrivalled live music experiences and hilarious comedy, Leeds truly is a treasure trove of live entertainment.

Leeds is also notably known as a world-class sporting destination, having hosted the World Triathlon Series, The Cricket World Cup and The Ashes, while this year will see the city host the World Triathlon Series, Rugby League World Cup 2021 and the British Transplant Games. Leeds is also home to Leeds United Football Club, Yorkshire County Cricket Club, and Rugby League’s Leeds Rhinos.

Over the past 15 years, regeneration has modernised the city centre, while complementing its incredible architecture and heritage. The city is now synonymous with the very best England has to offer; bursting with life and cultural energy.

For more information, visit: www.visitleeds.co.uk     

Culture Consortium Leeds 

Established to network Leeds’ greatest cultural offerings together with a shared ambition and a passion for the city, Culture Consortium Leeds includes 17 venues, theatres, visitor attractions, museums, galleries, performance arts organisations and others who harness the power of great culture in Leeds to entertain and engage over 4 million people every year and generate £135 million for the local economy. 

Members included in Culture Around Every Corner are: Harewood House Trust, Royal Armouries, Leeds Playhouse, Yorkshire Sculpture Park, Leeds Museums & Galleries, Temple Newsham, Lotherton Hall, Leeds Heritage Theatres, The Tetley, The Carriageworks, Millennium Square, Leeds Town Hall, University of Leeds Galleries, Opera North, Northern Ballet, Henry Moore Institute and Thackray Museum of Medicine.

There are over 200 active volunteers working in the Harewood House Trust, giving around 20,000 hours of free support each year to maintain and promote the House, the Gardens and the Bird Garden.

During National Volunteer Week at the beginning of June, members of the Harewood House Senior Management team turned their backs on their paperwork to get hands-on with the volunteers, and spent a half day working side by side in an area very different to their own.

Over ten members of staff took part, which included Trust Director Jane Marriott picking up a spade in the Walled Garden and putting in some of the groundwork ahead of the soon-to-open Seeds of Hope exhibition. Damian Clements, Head of Finance, cast aside his numbers to lead a new charge – that of the Shuttle bus that transports visitors around the Estate. And Trevor Nicholson, Head Gardener, buried his head in the Spanish Library, researching plants from 1918 together with weather conditions recorded in journals during that time, ahead of the new exhibition.

Many volunteers have been with the Trust for over ten years, with new volunteers joining all the time. They possess such a wealth of knowledge of the Collections, of stories relating to people and places and in addition to that, a real passion, dedication and commitment to their work.

The experience across National Volunteer Week was a huge success and the plan is to roll the opportunity out to further staff members across the Trust.

Damian Clements, Head of Finance; “This was a great initiative. I had a fantastic experience with Skipper Tim. It was lovely to spend a couple of hours seeing what he gets up to on his rounds and there’s even more to it than I realised.”

Comment from Jules Caton, Interim Marketing Advisor; “I found it a real privilege to spend the time feeding chickens, meeting goats and collecting eggs and I very much enjoyed meeting the team who were working in the Walled Garden. This was a great experience.”

To keep up to date with news and behind the scenes from the Harewood House Trust, follow us on Facebook, Twitter and Instagram.

Harewood House Trust is delighted to exhibit 63 paintings by the Caribbean artist Frank Walter (1926-2009). These works have never been seen together in England before.  The majority are landscapes, including many of trees purposely selected to resonate with Harewood’s Capability Brown landscape. Apparently simple, they beautifully depict real and imaginary vistas which speak with an unmistakable visionary voice.

Frank Walter (Francis Archibald Wentworth Walter), self-styled 7th Prince of the West Indies, Lord of Follies and the Ding-a-Ding Nook, was born in Antigua in 1926. Walter was hugely talented as an artist and writer, although somewhat flawed by an obsession with his ancestral lineage which he believed linked him with the aristocratic families of Europe including Charles II (through his mistress Lucy Walter), Franz Joseph of Austria and the Dukes of Buccleuch.

His fragile mental state became more apparent and for the last 25 years of his life, Walter removed himself from society, living in an isolated shack on an Antiguan hillside, painting on all sorts of material including discarded Polaroid boxes and LP covers.

His rich legacy includes several hundred paintings and carvings, as well as 25,000 pages of his thoughts on every conceivable subject including history, philosophy, religion and science.

In 1958, he travelled to Leeds (probably Chapeltown from the description) working in poorly paid part-time jobs – feather packer, a lamp manufacturer, boot factory, floor sweeper. He was pretty much starving, which may account for some of his almost hallucinatory writing. He was researching his real and imaginary genealogy in Leeds central Library.

In 1960, he went to Scotland which had a great effect on him as he felt so strongly connected to the country through his family legacy.

Flamboyant Trees has been made possible with support from the Ingleby Gallery in Edinburgh who have championed the artist’s work in the UK and internationally. Richard Ingleby, Director of the Ingleby Gallery, Edinburgh said:

“It is terrific to see this exhibition of Frank Walter’s paintings at Harewood House and I suspect that the delusions of grandeur from which he suffered would have encouraged him to see it as an appropriate setting. The view out across fields from the Terrace at Harewood seems especially fitting for an exhibition that includes so many of Walter’s paintings of trees, some of which were inspired by the time that he spent in Yorkshire and Scotland in the 1950s, before returning to the Caribbean and a life of self imposed isolation. These gloriously fresh and directly painted landscapes have an anthropomorphic quality – as if he were painting his friends, or recording a kind of companionship still offered by trees when people had long since let him down.”

Nicola Stephenson, Exhibitions and Projects Producer at Harewood House Trust said:

“Harewood is particularly delighted to exhibit a selection of paintings by Frank Walter this summer when Leeds is also celebrating the 50th Anniversary of Leeds Carnival and the contribution of the Caribbean community to our wider cultural life. Walter was a complex man – an artist, a writer and philosopher; since his death in 2009 there has been a growing recognition of his work.”

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Frank Walter’s work is now highly sought after by collectors and this year, marks Antigua and Barbuda’s inaugural representation at the 57th International Art Exhibition of La Biennale di Venezia with an exhibition of Walter’s paintings, sculpture, audio recordings and writing.

Read more about the exhibition here.